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68 per share, compared to $36 Shares of Pixar, which is based in Emeryville, Calif The results easily beat the expectations of analysts surveyed by Thomson First Call, who had expected earnings of 22 cents per share 42 at the end of regular trading on the Nasdaq Stock Market 9 million, or $1 ," which Pixar released as part of a partnership with The Walt Disney Co Pixar and Disney will release their next film, "Finding Nemo," in May Revenue in the quarter rose 50 percent to $39 Pixar also posted record profit for the full year on the strength of greater than expected revenue from DVD and home video sales and rentals of "Monsters Inc 28, compared to $13 million, or 25 cents per share in the same quarter last year , were down $1 Analysts had expected 2002 net income of $1 Pixar Earnings Soar on 'Monsters Inc 19 to $54 For 2002, Pixar reported net income of $89 " and other library titles " Pixar reported net income of $17 million, or 31 cents per share in the quarter ending Dec Revenues jumped to $201 2 million, or 71 cents per share in 2001 ' Feb 6, 5:29 PM EST It was a monster fiscal quarter and year for Pixar Animation Studios due to the theatrical and home video success of "Monsters Inc pixar 2 million in 2001 7 million from $70 â€â€?â€â€?â€â€? On the Net: Pixar Animation Studios: http://www 58 per share com 4 million from $26 million in the same period last year, driven mainly by box office receipts from "Monsters Inc There's not much director Lonny Price can do with these extended bits of comedy, but the actors are game, particularly the hardworking Rogers, who manages to get laughs with the moldiest of jokes Melinda Roy has provided much of the spirited if not extraordinary choreography (the original was done by Michael Kidd), including new versions of the Garden of Eden ballet and an Apache dance Fifty-one years ago, it was a supporting player, Gwen Verdon, who danced off with all the reviews, leaving the star, French chanteuse Lilo, to probably wonder if anyone saw her in the show She emotes her way through each musical moment as if her life depended on it " She is perfect for this big, bold Cole Porter-Abe Burrows musical that paints Paris and life in the gaudiest of colors And the woman â€â€? dressed, of course, in red â€â€? doesn't just sing a song When LuPone takes center stage and the orchestra builds to full throttle as she belts out "I Love Paris," you will be ready to take the next flight to France If only the rest of the plot (Burrows' book has been adapted here by David Lee) were up to that brief scene LuPone is one of those larger-than-life performers, at her extravagant best in such extravagant shows as "Evita" and "Sunset Boulevard â€â€?â€â€?â€â€? On the Net: www Although not in the same class as his two masterpieces, "Anything Goes" and "Kiss Me, Kate," the musical still has a remarkable number of tunes that became popular outside the show, including "I Love Paris" and "C'est Magnifique They were the two numbers that helped rocket Verdon to stardom five decades ago Even Eli Wallach, in a non-singing role as a senior judge, gets into the festive spirit of things â€â€? and at age 88, he cannily snares his share of laughs or g Leading Lady LuPone Reclaims 'Can-Can' Feb 13, 4:54 PM EST "Can-Can," a saucy, if not exactly bawdy favorite of tired businesmen back in 1953, has been reclaimed by its new leading lady There's also a labored subplot involving a Bulgarian sculptor (Reg Rogers); one of Pistache's dancers (Charlotte d'Amboise in the Verdon role) and an art critic (Paul Schoeffler) who comes between them The story concerns the legal fireworks over the cancan, that naughty, high-kicking dance, and whether it should be allowed at Pistache's establishment She owns it Consider one small, almost throwaway dramatic moment early in the second act, when the hero, an uptight judge (played by Michael Nouri), is propositioned by a lady of the evening citycenter No matter " And they work within the context of the musical Subtle it's not, but then neither is personality-plus LuPone D'Amboise handles these dances with ease although they are not the show stoppers they apparently once were From LuPone on down, the actors are saddled with hokey French accents, but the cheesiness actually loosens them up a bit He's in love with LuPone's character, but nevertheless acknowledges the charms of the other woman while singing "It's All Right With Me With the swagger of a Neapolitan stevedore, LuPone doesn't just walk across the wide City Center stage " It's an astonishing display of character and song coming together to create musical theater at its best "Can-Can" is one of Porter's most florid scores, unabashedly romantic Not so at City Center, where "Encores! Great American Musicals in Concert" has revived "Can-Can" with Patti LuPone in Lilo's role as La Mome Pistache, the pleasure-loving owner of the Bal du Paradis |
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