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acting jobs be a model open casting calls pageants casting call movie audition casting couch bikini model actor actress talent Talent ID #7082
Sasha Bensol
Profile: www.sashabensol.exploretalent.com - View Online Porfolio

Model Info: -- DOB year 1990 -- DOB month 6 -- DOB day 8 -- Height inches 63 -- Weight pounds 114 -- Hair color Dark Brown -- Eye color Hazel -- Ethnicity Mixed



Eddie descends into a world of drugs and scary dance clubs, which, in the show's most bizarre moment, Tharp populates with one extremely tall drag queen and a guy dressed in leather

Oddly enough, the show "Movin' Out" most resembles in spirit is that other boomer-biased Broadway production, "Mamma Mia!" Part of the success of the ABBA musical is based on the audience's previous knowledge of the songs The time is the early 1960s before the Vietnam War

Tharp, who directed and choreographed "Movin' Out," has given the show her customary quirky movements, gussied up with flashy Broadway production values that include a full-fledged rock band and a steely voiced Billy Joel stand-in named Michael Cavanaugh

Two consumer notes:

Different leads and a different singer perform certain matinees And, shades of Michael Jackson, he does an amazing moonwalk, one of the show's few funny moments There's a lot of strutting and posturing, some of it done in front of a smashing red Mustang convertible

Humor, unfortunately, is in short supply It's a rousing reminder of why "Movin' Out" was created in the first place When they return, both the men and the women have to deal with their personal demons and sorrows, and some of those torments are more interesting than others




The tale takes its cue from a Joel classic, "Scenes from an Italian Restaurant," and builds from there with such standards as "Just the Way You Are" and "Uptown Girl That helps "Movin' Out," too They sure work as individual songs Yet there are some lovely lyrical touches, provided by Parkinson and curly haired Keith Roberts as Tony, while Ashley Tuttle exudes a plaintive, pensive quality as Judy The ensemble manages to survive this silliness with its dignity intact

In "Movin' Out," Joel's gritty numbers are intended to tell the story So do the women, the haughty Brenda and the more wholesome Judy 'Movin' Out' Is Ballet at Heart
Oct 25, 7:26 AM EST

NEW YORK (AP) â€â€? Whatever they are calling it â€â€? Broadway show, dansical, theater piece, rock homage â€â€? "Movin' Out," Twyla Tharp's stage celebration of the songs of Billy Joel, is, at heart and on toe, a ballet The guys go off to Vietnam but only Eddie and Tony come back " For a good portion of the first act, "Movin' Out" feels as if it is an arty, all-dance version of "Grease," with testosterone-fueled young men vying for the attention of flirty high-school babes

And the lead dancers are never less than first-rate Check at the box office

The band and the charismatic Cavanaugh are perched above the stage on a catwalk

The dancing is exuberant, the story less so in this ambitious, athletic production, which opened Thursday at Broadway's Richard Rodgers Theatre


Down below Tharp and company tell the story of three good buddies from Long Island and the women who love them

And don't leave during the curtain calls

"Movin' Out" is at its best in its more joyous, celebratory moments, and Tharp wisely builds the show to a rousing finale, one that has the four leads and ensemble hurling across the stage

As the tormented Eddie, John Selya, all blue-collar macho, is terrific, too It's the nostalgia of recognition, cuing theatergoers to respond to what they already know There's one last anthem â€â€? "New York State of Mind" â€â€? to be delivered Parkinson invests the character with even more personality than she is given by either Tharp's choreography or Joel's songs Whether they are a strong enough narrative thread is another thing

It's hard to sort out individuals, but eventually Eddie, Tony and James come into focus

Elizabeth Parkinson, as Brenda, possesses the vivacity of Gwen Verdon, the legs of Cyd Charisse and the sexiness of Ann Reinking

Sues Sony Pictures
Feb 27, 9:04 AM EST

The Marvel comic book company has sued Sony Pictures Entertainment over a "Spider-Man" licensing dispute


Marvel Comic Book Co

Whatever the nature of the disagreement, neither company is willing to discuss the lawsuit, although Marvel said in its statement that the action was not expected to delay production of the film's sequel, set for release in May 2004




Sony released the "Spider-Man" film, which collected nearly $403 million at the domestic box office to become last year's highest-grossing movie

The lawsuit was filed Tuesday under seal in Los Angeles Superior Court, according to a statement from Marvel, which means its contents are not accessible by the general public


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