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12, 2003, briefing on the situation in Iraq: "As we know, "There are known knowns "Now, if that doesn't tell you something about the state of the world!" Last year, journalist-humorist Hart Seely took selected Rumsfeld briefings and without changing a word, presented them in the form of free verse, sonnets and haiku in his book "Pieces of Intelligence: The Existential Poetry of Donald H "There are things we know we know "I guess John Kerry's speech would be a very long tone poem He thinks President Bush's statements lack the necessary substance, while Democratic presidential candidate John Kerry would put people to sleep Kong is hoping coverage will fuel brisk sales " Among those enjoying the sendup: Rumsfeld himself! "Someone gave me a copy of this thing, and here is this woman with a wonderful voice singing my press conference," Rumsfeld marveled at a meeting of the Newspaper Association of America last month The combination is perfect for classical music, Kong said in an interview with The Associated Press " â€â€?â€â€?â€â€? On the Net: http://www "What we show in the songs is that we believe that Rumsfeld is telling a story that doesn't hold up â€â€? that he is trying to sell a war that is not justified," Kong said It would have to be at least 45 minutes long com So they've taken Rumsfeld's explanations of world affairs and set them to airy classical compositions "Public figures deserve what they get in terms of artistic treatment and George Bush's misstatements are a desk calendar," Kong said wryly "The Poetry of Donald Rumsfeld and Other Fresh American Songs" includes "The Unknown" from Rumsfeld's Feb The self-published CD has been featured on National Public Radio and several Web sites Rumsfeld's 'Poetic' Voice Set to Music May 12, 4:05 PM EST After hearing Defense Secretary Donald H Rumsfeld dress down the media at Pentagon press briefings, two San Francisco musicians came to an inevitable conclusion: his words simply must be set to chamber music Rumsfeld "We also know there are known unknowns stuffedpenguin " Now those words are lyrics sung by soprano Elender Wall, set to the lofty chords of composer and pianist Bryant Kong "These classically based forms are a great way of doing that " Kong, who got permission to use Seely's work for his musical compositions, has considered whether the words of other top politicians might work as forms of art Kong â€â€? no fan of the Bush administration â€â€? says Rumsfeld's unscripted remarks are at once deliberate and casual, and often simply odd Ramon Vargas gave a spirited account of the poet Rodolfo, although it took a while for his tenor to warm up Hall, is said to be "singer proof" â€â€? that is, no matter who is thrown on stage, the production is so overwhelming that the audience will be pleased His production, a crowd favorite over the past two decades, drew applause as usual when the overwhelming set was revealed for the Latin Quarter in Act II and again for the snowy tableau in Act III org " Soprano Ainhoa Arteta made sure she didn't play Musetta too over the top as she parried with baritone Vassily Gerello, her Marcello `Bohemes' Battle on Broadway Stages Feb 20, 5:37 PM EST Baz Luhrmann's production of "La Boheme" has a little competition now: from Franco Zeffirelli's more traditional version at the Metropolitan Opera, less than a mile up Broadway Given a full orchestra, the genius of Puccini's score becomes evident with the swelling strings that accompany "O soave fanciulla" in Act I, and "Dunque e proprio finita?" in Act III Yet given the directness of Luhrmann's staging, it's easier to notice the flaw of having the garret distant from the front of the stage in the first and final acts This revival is better than average, and makes a successful contrast with the neon-splashed version selling out at the Broadway Theatre While Luhrmann updated the action from the 1840s to 1957, Zeffirelli leaves Puccini's opera in its original time â€â€?â€â€?â€â€? On the Net: http://www Kelessidi, born in Kazakhstan of Greek parents, rose to prominence in 1996 performances of Verdi's "La Traviata" at The Royal Opera, Covent Garden At least one person in the audience decided against dressy attire in favor of a "La Boheme" T-shirt from Luhrmann's Broadway show, which opened to rave reviews in December Bass Paul Plishka, as Benoit and later Alcindoro, had nice comic touches, and Richard Bernstein gave a strong performance as Colline Luhrmann's version, with three rotating sets of principals, succeeds because snappy direction and attractive young singers overcome the often tiny sound of a 28-piece orchestra and overly swift conducting The drifts at the Barriere d'Enfer, on the edge of Paris, seemed as large as the ones next to Lincoln Center Plaza after Monday's 20-inch snowstorm While her voice seemed a little small as Mimi in the 3,800-seat Met, she produces a pretty sound, especially in the lower register, and is a winning actress, giving a convincing portrayal of the seamstress who succumbs to consumption Zeffirelli's staging, with sets by the producer and costumes by Peter J He was not helped by conductor Marcello Viotti, who had difficulty at times coordinating the orchestra with the singers, most noticeably when Vargas began "Che gelida manina In a season that has seen attendance slump, the house appeared full Wednesday night for the return of Zeffirelli's lavish 1981 production, a performance that featured soprano Elena Kelessidi's Met debut metopera |
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