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" The barrage of questions that competing couples must field is "very intense," Dergan said The show raised Dergan's awareness of how tough-minded couples must be to face the prospect of marriage "To me hosting is a home run Contestants must do "Fear Factor" style feats of daring â€â€? such as dangling from a crane in a segment entitled "to have and to hold Dergan said hosting the tumultuous show is a perfect fit for her " The program debuts Wednesday night Because it's live, it's completely off the cuff, it's my personality I prefer hosting over anything because it brings my personality into the show "I wouldn't have done half of these physical challenges I put them through," Dergan told reporters recently The former Playboy Playmate hosts the show, in which eight engaged couples compete for a lavish, fully paid wedding " They must also answer questions that show how well they know their spouses-to-be "I all the more realize that you have to start a marriage with foundations â€â€? trust, knowing your partner, knowing how they'll react in every situation," Dergan said "I don't know how I would handle it I'm really good at being there right in the moment 'Race to Altar' Tests Couples' Resolve Jul 30, 1:47 PM EST Lisa Dergan will admit there's no way she could handle the stunts that players on NBC's new reality show, "Race to the Altar," have to do In this case, the genius is Vaslav Nijinsky, the great Russian dancer diagnosed with schizophrenia in 1919, at the age of 29 A mediocre dancer, she fails to complete even the simplest steps to Nijinsky's satisfaction It's as if Alvarez is trying to spice up the underlying story, which follows a familiar formula: A compassionate woman falls for â€â€? and eventually becomes caretaker to â€â€? a mad genius (see "Shine" and "A Beautiful Mind") It's a lesson in how simply told stories are often the most effective Hutchinson, coming off a role in Tony Kushner's "Homebody/Kabul," shows quiet tenacity as Romola, giving insight into how the woman was able to stay with Nijinsky for so long â€â€? 30 years, the bulk of which he was raving mad But the first two-thirds of the play, which trace the couple's courtship, suffer from too much style and not enough emotional content Dancers weave among actors, the dialogue is poetic, some scenes are nonlinear The scene is a perfect vignette of Nijinsky's uncompromising genius â€â€? and adds a flash of rawness to a play that's otherwise a bit too mannered The two have a wonderful scene together near the end, when Nijinsky gives his new bride a ballet lesson It's exhausting just to watch Barlow, who not only gracefully executes Robert La Fosse's challenging choreography but also aptly portrays Nijinsky's unstable emotions He doesn't get many chances to be subtle â€â€? the breakdown scene is over-the-top, as it probably must be â€â€? but he's a sympathetic presence all the way through The act begins with the couple's wedding and ends with Nijinsky's breakdown, and the staging and language suddenly become uncluttered â€â€? maybe because there's so much plot to cover Luckily, "Romola & Nijinsky" comes to life in its third act, when Alvarez lets up on the fancy stuff Behind the ornate language and undulating bodies, it's hard to discern a man and a woman falling in love He berates her, and she's horrified Alvarez's embellishments, on view at off-Broadway's Primary Stages, are sometimes intriguing and, in the case of the dancers, often beautiful to behold His savior is Romola, a Hungarian heiress who becomes his wife The last act is also where the play's talented leads, David Barlow and Kelly Hutchinson, shine brightest 'Romola & Nijinsky' Blooms in Last Act May 16, 9:50 AM EST For the first two acts of "Romola & Nijinsky," playwright Lynne Alvarez works hard to avoid convention |
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