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entertainment assets and expectations the company will find buyers for its stake in the utilities business Vivendi Environnement Vivendi chairman Jean-Rene Fourtou, who is paring down the vast conglomerate to trim its debt, plans to sell off about $16 billion in assets by the end of 2004 However, he plans to keep the group's focus on entertainment Vivendi declined to comment on the reports 97 euros ($12 Electricite de France is expected to be one of those buyers, with a 4-5 percent stake, France's Les Echos economic newspaper said Separately, French media reports said Vivendi has found buyers for half its 40 It said any deal could face serious obstacles, including the difficulty of arranging financing and the opposition of Barry Diller, who heads the Vivendi entertainment business 5 percent at 12 S Vivendi Stock Rises Amid Bid Report Nov 21, 9:58 AM EST PARIS (AP) â€â€? Vivendi Universal SA's stock got a lift Thursday from a reported bid for the company's U Vivendi Universal spokesman Alain Delrieu declined to comment on a report in The Wall Street Journal that billionaire oilman Marvin Davis had approached Vivendi about buying all or part of its U 97) in midday trading on the Paris stock exchange S The Journal report said Davis is gathering a group of investors to bid $15 billion, plus $5 billion in debt, for Vivendi's U Vivendi's shares were up about 13 entertainment assets, which include Universal Studios, Universal Music and Vivendi's interests in cable networks and the Universal Studios theme parks 4 percent stake in Vivendi Environnement, and that the buyers will have an option to buy Vivendi's remaining shares in 2004 S "It's in Vivendi's interest to look like it's seriously considering a bid, but it's unlikely to actually sell," said Mehra Meh, analyst at Williams de Broe in London Analysts said the report on the Davis bid for the entertainment assets had reassured investors that the debt-laden company has suitors, supporting Vivendi's share price and keeping the fear of bankruptcy at bay â€â€? even if the French conglomerate is unlikely to accept the bid entertainment assets Making them accessible to listeners isn't easy for any performer He rarely breaks the pose during the 90-minute concert, which contains no stage patter, no intermission and only a few breaks between songs Patinkin, performing most Sundays and Mondays between now and Jan All that bravura technique is impressive but distracting, especially in such an intimate setting It's difficult to lose yourself in a song when you're bracing for the next high-decibel finale Mandy Patinkin Offers Vision of Sondheim Dec 4, 5:15 PM EST NEW YORK (AP) â€â€? Does Mandy Patinkin realize he has an audience? For most of "Mandy Patinkin in Concert: Celebrating Sondheim," the singer stands motionless, hands clasped and eyes shut, lost in a personal reverie You heard all the lyrics, and you also felt the emotion behind them He can belt with the best of them, too Sometimes, he swoops from one to the other in the same song He's pitch-perfect whether using a rich baritone or fluttering around in an amazingly stable falsetto " And by technical standards, his performance doesn't disappoint Stephen Sondheim's songs are famously austere, full of intricate melodies and intellectual lyrics It's an intense performance, but one so introverted that little emotional connection can take place between Patinkin and his listeners 8 at the Henry Miller Theatre, could be expected to be nearly as effective Not easy, but certainly possible In the liner notes for the CD of the concert, he writes that the show is meant to be "a figurative journey of how Sondheim's lyrics and music speak to me He uses the same approach on several other numbers, including "Losing My Mind" (also from "Follies") and "Sunday" (from "Sunday in the Park With George") To be fair, he has set a difficult task for himself And through it all, Paul Ford, who provides piano accompaniment, dazzles with his sensitive arrangements and sterling playing What made Cook's concerts so moving was her ability to communicate directly with the audience Patinkin does best with Sondheim's humorous numbers: "You Could Drive a Person Crazy," for example, tickles in all the right places Still, you're left with the impression that Patinkin is on an ego trip In her "Mostly Sondheim" concerts at Lincoln Center earlier this year, Barbara Cook showed how an intimate, cabaret-style approach to Sondheim's songs could reveal their warmth and vulnerability He starts "Broadway Baby," from "Follies," as a plaintive ballad â€â€? a treatment that works surprisingly well â€â€? but by the last verse, he's worked up to a Mermanesque holler " Unfortunately, he doesn't seem interested in making them speak to the rest of us His extensive Sondheim credentials include originating the title role in "Sunday in the Park With George" in 1984 and appearing in the acclaimed 1985 concert version of "Follies |
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