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Greengrass applies similar fly-on-the-wall film methods used in his terrific 2002 docudrama "Bloody Sunday," relying heavily on handheld cameras nervously flitting, always in motion Chris Cooper, the heavy of "The Bourne Identity," appears briefly in flashbacks Bourne's close-quarters battles clearly are well-choreographed, yet much of the action is obscured by the herky-jerky movements of the camera trying to keep up PG â€â€? Parental guidance suggested â€â€?â€â€?â€â€? Motion Picture Association of America rating definitions: G â€â€? General audiences The approach adds urgency to many scenes, but it also undermines some moments, particularly fight sequences The plot is a bit muddy, too An ominously brooding presence, Damon has long stretches with no dialogue, yet even in loner mode, his twitchy expressions and body language convey broad emotion Returning from the first film are Brian Cox as shady spymaster Ward Abbott, Julia Stiles as greenhorn agent liaison Nicky and Gabriel Mann as agent Danny Zorn "The Bourne Supremacy," a Universal release, is rated PG-13 for violence and intense action and for brief language The entire cast is tremendous, from Damon down to bit players PG-13 â€â€? Special parental guidance strongly suggested for children under 13 Some material may be inappropriate for young children Like the first movie, "The Bourne Supremacy" has smarts and class lacking in most summer thrillers, where the action often amounts to mere fisticuffs and car chases crammed between flimsy exchanges of dialogue Potente's Marie radiates endearing good will and affection, and Greengrass crafts one of his most artful, though tragic, images around the character Allen brings steely grace to the movie, and Stiles subtly presents a character evolving from the naivete of the first film to the cynicism of someone who's heard a lot of bull in the intervening two years NC-17 â€â€? No one under 17 admitted Screenwriter Tony Gilroy, who co-wrote the first movie from Robert Ludlum's thriller, this time creates a story bearing almost no relation to Ludlum's sequel, which had Bourne pressed back into service to chase down an impersonator whose assassinations threatened political chaos in China Seamlessly picking up the tale of the amnesiac assassin from 2002's hit "The Bourne Identity," the sequel overcomes a couple of distracting flaws to deliver another solid thrill ride Greengrass' taut pacing generally compensates for ill-defined motives of the villains pulling Bourne's strings He calls the result "unconsidered," a style in which the lens is as much in the dark about where the next punch or kick or bullet will come from as the audience Running time: 108 minutes All ages admitted Under 17 requires accompanying parent or adult guardian Bourne is like a prowling predator, never at rest even when he's still, his body intuitively tuned to attack when it's to his advantage and flee when his survival is at stake Some material may not be suitable for children Stiles also provides one of the film's most emotionally gripping scenes in an exchange with Bourne This may be the end of Damon's Bourne saga, but the film signals good things to come from Greengrass Review: 'The Bourne Supremacy' a Thrill Jul 23, 12:44 PM EST Jason Bourne's fans will have no trouble remembering who he is, even if he can't The film has Bourne still on the run from his old CIA handlers and haunted by fleeting images from his shattered memory as he and Marie (Franka Potente), the muse and emotional anchor he found in the first movie, hide out in India Three stars out of four The filmmakers have concocted clever found-object solutions to get Bourne out of tight spots, bolstering the character's credibility as a man up to any challenge A shadowy Russian oil tycoon has framed Bourne for the deaths of two American agents, prompting CIA honcho Pamela Landy (Joan Allen) to hunt down Bourne R â€â€? Restricted Director Paul Greengrass takes over from Doug Liman, who made the first movie and remains an executive producer on the sequel Meantime, a hit man (Karl Urban) tries to kill him, the resulting tragedy sending Bourne on a mission that's part revenge, part redemption Here, the action complements the bigger drama, erupting genuinely as Matt Damon's Jason Bourne reacts by instinct to each contingency (To see this dynamic done right, see "Freaky Friday PG â€â€? Parental guidance suggested " But between this and other recent shrill roles in "Just Married" and "Spun," maybe she should be calling her agent As in "Remember the Titans," Yakin milks this movie for every drop of forced poignancy Murphy gets banged up here almost as much as she did earlier this year in "Just Married," in which she played a bride to Ashton Kutcher's accident-prone groom " She says this early in the film, but her proclamation is unfortunately prescient Their idea of comedy is having Molly knock down the contents of a coat closet, or slip in the suds overflowing from a washing machine when forced to do laundry for the first time But Ray and Molly are so two-dimensional that once they reach their inevitable understanding of each other, it's hard to care â€â€?â€â€?â€â€? Motion Picture Association of America rating definitions: G â€â€? General audiences But when she learns her accountant stole her inheritance, she's forced to take a job as Ray's nanny NC-17 â€â€? No one under 17 admitted Running time: 93 minutes Ray squeals when she's forced to listen to rock music instead of her preferred Mozart (which she prefers to listen to with the volume cranked up) ") Murphy, who brought a real spark to her earlier work in "Clueless," "Girl, Interrupted" and "Riding in Cars With Boys," has said she felt "a calling" to make "Uptown Girls But director Boaz Yakin lacks the nuance of Paul and Chris Weitz, and screenwriters Julia Dahl, Mo Ogrodnik and Lisa Davidowitz lack the insight of "About a Boy" writer Peter Hedges â€â€? and they're a far cry from Nick Hornby, who wrote the book on which that film was based " Now if only she could master the British accent and subversive sense of humor â€â€? that would be a movie I'd like to see Then Molly and Ray try to wash the pig in the bathtub, prompting all three of them to squeal ) Ray, the daughter of a distant record company executive (Heather Locklear â€â€? blink and you'll miss her blinding blondness), lives an obsessively orderly life on the Upper East Side "Uptown Girls," an MGM release, is rated PG-13 for sexual content and language Under 17 requires accompanying parent or adult guardian Molly squeals when she tries to bake cookies and sets the kitchen on fire And Fanning, who played a similarly precocious character as Sean Penn's daughter in "I Am Sam," has the enormous, intense eyes and bossy demeanor reminiscent of the enfant terrible Stewie from "The Family Guy (The pig, by the way, is a cute but gratuitously eccentric pet alternative to a dog â€â€? which, by the way, this movie is R â€â€? Restricted You saw this movie last year, when it starred Hugh Grant and was called "About a Boy Some material may be inappropriate for young children PG-13 â€â€? Special parental guidance strongly suggested for children under 13 After initial noisy fireworks, the rigid, responsible child eventually teaches the free-spirited adult to grow up, and the free-spirited adult teaches the rigid, responsible child to loosen up One star out of four </ p> That includes uptight Ray (Dakota Fanning), her flighty nanny, Molly (Brittany Murphy), and Molly's pet, a potbellied pig " Both films even end with a feel-good mini-concert; this one's performed by Neal (Jesse Spencer), Molly's erstwhile boyfriend who recently signed with Ray's mom's label All ages admitted Some material may not be suitable for children Molly, the daughter of a deceased rock star, lives in messy decadence on the Upper West Side Comedy 'Uptown Girls' Fails at Its Genre Aug 12, 1:35 PM EST "This place is so loud, it's giving me a migraine," screams Ray, a precocious 8-year-old, over the din at a Manhattan nightclub in "Uptown Girls Because nearly everything and everybody in "Uptown Girls" is headache-inducing |
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