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"There will be plenty of fires in the city," the movie's star, John Travolta, joked Thursday while wearing a Baltimore Fire Department uniform and sitting in a rundown firehouse producers planned to refurbish mdfilmfest " "This is the biggest film that's ever been made here, from a production standpoint," Dietz said " The film, which is scheduled to come out early next year, will bring about 1,300 jobs to the city, said producer Casey Silver Co-star Joaquin Phoenix has been in Baltimore for more than a month researching his role â€â€?â€â€?â€â€? On the Net: Maryland Film Festival: http://www Baltimore was chosen over several other cities, including Toronto and Philadelphia, to be the primary location for the thriller But the head of the Maryland Film Festival, Jed Dietz, said the impact on Baltimore will be "huge Baltimore to Host Firefighter Movie Mar 14, 8:28 AM EST Baltimore will burn this spring â€â€? Hollywood style â€â€? as the cast and crew of the firefighter drama "Ladder 49" bring their pyrotechnics and a shot of money to the city Travolta plays his fire chief and mentor Silver wouldn't discuss how much money the movie would likely generate The director, Jay Russell, already has directed one film in the area, "Tuck Everlasting," which was shot partially in Harford County "In fact, anyone who has a building they want to burn should let us know While he waits to see if his company, Ladder 49, can save him, he looks back over his career and family life Phoenix plays a veteran firefighter trapped in a blaze he thinks might kill him com/ There's a lot of strutting and posturing, some of it done in front of a smashing red Mustang convertible In "Movin' Out," Joel's gritty numbers are intended to tell the story It's hard to sort out individuals, but eventually Eddie, Tony and James come into focus " For a good portion of the first act, "Movin' Out" feels as if it is an arty, all-dance version of "Grease," with testosterone-fueled young men vying for the attention of flirty high-school babes Eddie descends into a world of drugs and scary dance clubs, which, in the show's most bizarre moment, Tharp populates with one extremely tall drag queen and a guy dressed in leather The band and the charismatic Cavanaugh are perched above the stage on a catwalk Oddly enough, the show "Movin' Out" most resembles in spirit is that other boomer-biased Broadway production, "Mamma Mia!" Part of the success of the ABBA musical is based on the audience's previous knowledge of the songs They sure work as individual songs So do the women, the haughty Brenda and the more wholesome Judy When they return, both the men and the women have to deal with their personal demons and sorrows, and some of those torments are more interesting than others The guys go off to Vietnam but only Eddie and Tony come back And, shades of Michael Jackson, he does an amazing moonwalk, one of the show's few funny moments As the tormented Eddie, John Selya, all blue-collar macho, is terrific, too There's one last anthem â€â€? "New York State of Mind" â€â€? to be delivered The dancing is exuberant, the story less so in this ambitious, athletic production, which opened Thursday at Broadway's Richard Rodgers Theatre Two consumer notes: Different leads and a different singer perform certain matinees And the lead dancers are never less than first-rate The tale takes its cue from a Joel classic, "Scenes from an Italian Restaurant," and builds from there with such standards as "Just the Way You Are" and "Uptown Girl "Movin' Out" is at its best in its more joyous, celebratory moments, and Tharp wisely builds the show to a rousing finale, one that has the four leads and ensemble hurling across the stage 'Movin' Out' Pays Homage to Rock Oct 24, 10:30 PM EST NEW YORK (AP) â€â€? Whatever they are calling it â€â€? Broadway show, dansical, theater piece, rock homage â€â€? "Movin' Out," Twyla Tharp's stage celebration of the songs of Billy Joel, is, at heart and on toe, a ballet The ensemble manages to survive this silliness with its dignity intact It's a rousing reminder of why "Movin' Out" was created in the first place That helps "Movin' Out," too Humor, unfortunately, is in short supply It's the nostalgia of recognition, cuing theatergoers to respond to what they already know Parkinson invests the character with even more personality than she is given by either Tharp's choreography or Joel's songs Whether they are a strong enough narrative thread is another thing Yet there are some lovely lyrical touches, provided by Parkinson and curly haired Keith Roberts as Tony, while Ashley Tuttle exudes a plaintive, pensive quality as Judy And don't leave during the curtain calls Check at the box office Down below Tharp and company tell the story of three good buddies from Long Island and the women who love them Elizabeth Parkinson, as Brenda, possesses the vivacity of Gwen Verdon, the legs of Cyd Charisse and the sexiness of Ann Reinking Tharp, who directed and choreographed "Movin' Out," has given the show her customary quirky movements, gussied up with flashy Broadway production values that include a full-fledged rock band and a steely voiced Billy Joel stand-in named Michael Cavanaugh The time is the early 1960s before the Vietnam War |
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