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Oddly, there were a couple of lighting glitches as well â€â€? a backdrop that kept fading away in Act 2, and a spotlight that beamed at the wrong time in the final scene As the tormented Kundry, who tries to ensnare him, mezzo Violeta Urmana was equally impressive in her seductive appeals as in her desperate outbursts when she realizes she has failed 'Parsifal' Returns to Metropolitan Opera Apr 6, 2:08 PM EST The Metropolitan Opera's current revival of Wagner's "Parsifal" is remarkable as much for who isn't in the production as who is â€â€?â€â€?â€â€? On the Net: http://www Placido Domingo used the autumnal bloom of his tenor to create a moving portrayal of the title character, the guileless fool who withstands temptation and thereby redeems the knights of the Holy Grail But Rene Pape was singing the pivotal role of Gurnemanz, a knight of the Holy Grail, for the first time anywhere " There are four more performances of "Parsifal" this season, including the matinee broadcast next Saturday beginning at noon EDT His dramatic portrayal was just as riveting; few Gurnemanzes age as persuasively as he does during the 20 years or more that elapse between Acts 1 and 3 Levine has been scaling back his Met conducting slightly as he takes on more responsibilities elsewhere (the Munich Philharmonic and soon the Boston Symphony Orchestra ) But he is still a dominant figure â€â€? this coming week, for instance, he leads two performances of Verdi's "Nabucco" and two of Strauss's "Ariadne auf Naxos" while rehearsing Stravinsky's "The Rake's Progress" and Wagner's "Meistersinger Vocally, this was a "Parsifal" hard to match metopera For the first time since 1974, artistic director James Levine is absent from the pit at a performance of Wagner's somber religious epic Bass Eric Halfvarson as his dying father, Titurel, and baritone Nikolai Putilin as the villainous Klingsor, rounded out the cast Vocally, he brought wonderful shadings of volume and rhythmic nuance to his long solos He also brought some unusual coordination problems between sections of the orchestra, which likely will disappear in later performances And the great German bass instantly made this part his own As Amfortas, the knight who succumbed to Kundry's wiles, baritone Falk Struckmann was frightening in the intensity of his anguish Both of them were repeating their roles from two seasons ago " Under Gergiev's baton, the performance still clocked in at the usual 5 1/2 hours, but the Russian conductor brought a somewhat greater intensity and sense of dramatic sweep to the score org Levine has become known for the magisterially slow tempos he brings to "Parsifal In his place Friday night was principal guest conductor Valery Gergiev |
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