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Talent Resume: "The Cover of Life" -Sybil "The Crucible" -Abigail Williams "Into the Woods" -Cinderella "Steel Magnolias" -Shelby "Rumors" -Chris "Lil' Abner" -Apassionatasinging: pop, country, contemporary Christian |
"If we can originate a play or a revival of a play and we can get some sort of interest going forward, it can return money to the theater, and can reduce expenses through sharing our costs MTC, with an annual budget of $10 million and 20,000 subscribers, is one of the nation's top nonprofit theaters C Season subscriptions declined last season â€â€? likely a response to the recession â€â€? and there have been complaints that Bush relies too much on his New York connections in casting plays McGuire said Bush has opened up opportunities that used to be limited to a "closed local community "I had to separate us from the pack Though the play sold out its three-week Rep run last spring and drew standing ovations, producers canceled a run at New York's Music Box Theatre, saying the show needed reworking "The resistance that I know about in the community is coming from actors and others Bush's production, starring Jim Wann, Emily Skinner, Lynne Wintersteller and Randy Redd, uses wireless technology to free the actor-musicians to roam the stage with their instruments, charging up the romantic dynamic between the men and women Under founder Steve Umberger, who departed after the 2001-02 season, the company was most famous for a mid-1990s production of Tony Kushner's Pulitzer Prize and Tony Award winning "Angels in America" that sparked political controversy with its treatment of homosexuality and prompted outraged county commissioners to cut funding for arts organizations "There's a part of me that suspects this is just 10 people," he said, adding that he is still becoming familiar with the local talent pool "We have to be able to find new sources of revenue," McGuire said "When a new minister comes into a church, within a year the orders usually change," he said Last month, two Rep mainstays â€â€? managing director Matt Olin and development director Anne Lambert â€â€? left the company for undisclosed reasons That will lead to funding sources The Rep opened its 27th season in September with a 20th-anniversary production of the musical "Pump Boys and Dinettes " Bush directed Bush said the changes were natural " The biggest splash of Bush's first season involved Academy Award winner Swank, who starred in a $2 million revival of "The Miracle Worker" that was meant to go from Charlotte to Broadway 50 this season " Bush is negotiating a national tour for "Pump Boys In all, the company spent $2 Though subscriptions declined more than 16 percent last season, from 2,448 to 2,050, strong single-show sales, particularly for "The Miracle Worker," helped cover a $50,000 drop in subscription revenue from $300,000 to about $250,000 " Under Bush's leadership, Rep ticket prices have risen â€â€? from $19-$26 Nominated for Tony award for best musical after the 1981-82 Broadway season, "Pump Boys" is a loosely plotted sequence of rootsy American musical numbers performed by the four men who work at a filling station on Highway 57 â€â€? "somewhere between Frog Level and Smyrna," we're told â€â€? and the pair of sisters who run the diner across the road, Prudie and Rhetta Cupp " The 49-year-old Charlotte native returned home just over a year ago to take charge of the Rep "I think that there was a branding question when I took over here," Bush said "Theater is all about relationships 6 million last season, up from $2 million in the 2000-01 season Stephen Sondheim or Hilary Swank," Bush said Besides "Pump Boys," this season's slate also includes a Bush-directed world premiere of "All of the People, All the Time," starring magicians Darwin Ortiz and David Roth in a play they co-wrote with Patrick Cook, and a version of "Hamlet" set in the 20th century Bush and others feel that regardless of the play's Broadway fate, it was a success for the Rep " Bush believes the complaints come from a vocal minority 50 each in 2001-02, the last season before Bush took over, to $24 To succeed in Charlotte, he will need to overcome a lackluster economy and a local theater community that has mixed feelings about him I'm not going to apologize for the fact that I can pick up the phone and get " "We've heard a lot of comments from people who felt boxed-out by the Rep in the past," he said Radio host and part-time actor Mike Collins is not as certain But that covers just 40 percent of the Rep's budget "Frankly, I think I should be appreciated for that I thought it was a bold choice " Bush estimates it cost the Rep an extra $20,000 to postpone a planned production of "Jar the Floor" to this fall and stage "The Miracle Worker" in its place Meanwhile, Bush is fighting the perception that he has alienated Charlotte's theater community Theater Group Thinks Big Oct 8, 11:39 AM EST Even as tight finances clamp down on the Charlotte arts scene, Michael Bush, artistic director of the Charlotte Repertory Theatre, thinks big Umberger's last two seasons saw productions of "Wit," "The Last Night of Ballyhoo" and "The Misanthrope On the same day last month that Charlotte Symphony musicians walked out of a midday rehearsal, striking over planned pay cuts, Bush outlined his vision for the Rep while dining at a Chinese bistro 50-$37 He had spent the previous 22 years at New York's Manhattan Theatre Club, the last 11 as associate artistic director N " The company that owns the touring rights has kicked in $50,000 to help stage the show in Charlotte Bush says such recognition "is incredibly important to financial success The goal, he says, is to bring the Rep to a level of national recognition enjoyed by such first-tier regional theaters as the Guthrie in Minneapolis or Chicago's Goodman Theatre Another big chunk comes from Charlotte's Arts & Science Council, the rest from foundations and individual donors that are concerned that the Rep is trying to build a national reputation, but what does that mean for Charlotte?" said Collins, who has interviewed Bush on his WFAE-FM show, "Charlotte Talks For the first time since 1990-91, the company closed its fiscal year with a deficit â€â€? this one in the low six figures â€â€? said Mike McGuire, chairman of the Rep's board of directors Some of Gregory Hines' Credits Aug 10, 5:15 PM EST Career highlights of Gregory Hines: STAGE: "Jelly's Last Jam," 1992 "Sophisticated Ladies," 1981 "Comin' Uptown," 1980 "Eubie!" 1978 "The Girl in Pink Tights," 1954 FILM: "Things You Can Tell Just by Looking at Her," 2001 "The Preacher's Wife," 1996 "Waiting to Exhale," 1995 "Renaissance Man," 1994 "A Rage in Harlem," 1991 "Tap," 1989 "Running Scared," 1986 "White Nights," 1985 "The Cotton Club," 1984 "History of the World: Part I," 1981 TELEVISION: "Lost at Home," 2003 "Bojangles," 2001 "Little Bill," 1999 "Will & Grace," 1998 "The Gregory Hines Show," 1997 "Gregory Hines: Tap Dance in America," 1989 "Motown Returns to the Apollo," 1985 "I Love Liberty," 1982 Career highlights of Gregory Hines: STAGE: "Jelly's Last Jam," 1992 "Sophisticated Ladies," 1981 "Comin' Uptown," 1980 "Eubie!" 1978 "The Girl in Pink Tights," 1954 FILM: "Things You Can Tell Just by Looking at Her," 2001 "The Preacher's Wife," 1996 "Waiting to Exhale," 1995 "Renaissance Man," 1994 "A Rage in Harlem," 1991 "Tap," 1989 "Running Scared," 1986 "White Nights," 1985 "The Cotton Club," 1984 "History of the World: Part I," 1981 TELEVISION: "Lost at Home," 2003 "Bojangles," 2001 "Little Bill," 1999 "Will & Grace," 1998 "The Gregory Hines Show," 1997 "Gregory Hines: Tap Dance in America," 1989 "Motown Returns to the Apollo," 1985 "I Love Liberty," 1982 |
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