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"She carefully follows the script It was good training because you learned many different styles of dance and you had to learn fast, she says " According to Pesce, when Marshall auditions dancers she explains more than just steps, she details character and story " His younger sister (by nearly two years) agrees "Once Upon a Mattress" or "Can-Can" the next When geniuses have been there, like Bernstein and Comden and Green, present it as best as you can â€â€? then get out of the way and let the audience appreciate it "Musical comedy is joyous," she says, "And there's no better way to express joy or exuberance than through dance Roles followed at Pittsburgh Civic Light Opera, the big local summer stock company But she also has great respect for, and has learned from, so many others ahead of her â€â€? from Agnes de Mille to Bob Fosse to Gower Champion to Michael Bennett "When we were little, we thought all songs were from shows," Marshall says with a laugh "People don't realize that "Choreography really is an apprenticeship art," Marshall says "She listens to words," says dancer Vince Pesce, a veteran of several Marshall shows including "Wonderful Town," where he also is the show's associate choreographer What choreographers get is a sheet of music and from that they have to create an idea â€â€? move the story forward She tells a story with her dancing She currently is represented on Broadway by not only "Wonderful Town," but also by "Little Shop of Horrors," for which she supplied authentic 1960s "Hullabaloo" gyrations " And stay true to the story, something that is always uppermost in her mind There is an art in how to dance together and still be individuals It's just a song "`Wonderful Town' is not a show where you want a uniform chorus line Mistoffolees and she was the dance captain and understudied six of those frisky felines "Wonderful Town" was first seen on Broadway in 1953, but its direction and choreography a half-century later are new, the work of Kathleen Marshall, one of two double Tony Award nominees this season "We'd hear a song on the radio and we'd say, `What's it from?' They'd say, `It's not from anything How the whole show moves is in my hands " There were shows put on by the children in the Marshall living room and then appearances in elementary school presentations With a revival, you have to deal with three time periods â€â€? when it takes place, when it was written and today " "She really is an encyclopedia about the history of musicals "In a good director-choreograph er relationship, you don't know where the handoff happens "I wanted dancers who were all individuals, in a sense, principal performers," she says They were dancers, then they were dance captains, then they became assistant choreographers and finally choreographers (The other is lighting designer Brian MacDevitt for his work on "Henry IV" and "Fiddler on the Roof " That acting ability is necessary for "Wonderful Town," Marshall insists, because the dancers in the show have to portray a wide range of characters â€â€? from the bohemian artists of Greenwich Village's Christopher Street to neighborhood kids to Irish police officers to the sexy denizens of that hep nightspot, the Village Vortex These dancers totally get it "I was teaching every day in the company and by doing that all day, you learn how to run a rehearsal," she says " â€â€?â€â€?â€â€? On the Net: http://www They like dancing as a group but they also maintain their individuality She knows her stuff, especially since her relationship with "Encores! Great American Musicals in Concert" at City Center " Marshall's break came in 1995 with "Swinging on a Star," a modest little revue celebrating the music of composer Johnny Burke "By being the director and the choreographer, there's a unified vision," Marshall says "Kathleen's years there really were a perfect fit," says her older brother and fellow choreographer, Rob, who's also the Academy Award-winning director of "Chicago She left the tour of "Cats" to assist her brother when he got the call to do "Kiss of the Spider Woman" and then worked with him on the Roundabout Theatre Company revival of "She Loves Me" as well as "Damn Yankees," starring Victor Garber and Bebe Neuwirth "You don't have to reinvent it, you don't have to deconstruct it, you don't have to contemporize it " She also directed and choreographed the New York premiere of "Saturday Night," Stephen Sondheim's first musical It was at Pittsburgh CLO where Marshall got her Equity card and where each summer she returned from college to dance in shows "I have worked with almost all of them before "Kathleen and I have always talked about the fact that choreographers at their very core are authors," Rob Marshall says " Starting at "Encores" as a choreographer and later as a director and artistic director (she's now its director-in-residenc e), Marshall worked her way through such diverse shows as "Call Me Madam," "Du Barry Was a Lady," "Li'l Abner," "Babes in Arms," "Hair," "Carnival" and "Wonderful Town," which served as the springboard for the current Broadway production That knowledge has helped her ' But to us a song had to have a context â€â€? who's singing it and why "Kathleen looks for dancers who can act It's seamless ") For the 41-year-old Marshall, recognition is at hand, although she has been a musical-theater baby for much of her life That's what makes her shows special "`Wonderful Town' is tricky," she explains "West Side Story" one week "It takes place in the 1930s but was written in the 1950s and behaves like a big 1950s musical "You can get tons of dancers who can do the steps and have technique," Pesce says " "The show holds up," she says of the musical about writer Ruth Sherwood and her sister, Eileen, two young women from Ohio who come to New York in 1935 to find fame, fortune and romance " Individuality was important growing up in Pittsburgh, where Marshall's parents were educators â€â€? her father a medieval literature professor, her mother a professor of education wonderfultownthemusical The raucous, witty dance number blissfully ends the first act of the Tony-nominated revival of "Wonderful Town," the Leonard Bernstein, Betty Comden and Adolph Green musical You have to balance all of that Surprisingly, Marshall never danced on Broadway com "Most choreographers have come up through the ranks Marshall is quiet and unassuming as she digs into a quiche at Angus McIndoe's, the theater hangout of choice these days, and talks about dance, dancers and "Wonderful Town " Pesce met Marshall in the touring company of "Cats," where he played Mr Marshall Has Double Dose of Tony Nods May 26, 11:49 AM EST It's the most delirious musical-comedy moment of the season: a group of giddy Brazilian naval cadets, carrying leading lady Donna Murphy, conga their way across the stage of the Al Hirschfeld Theater " Short, with blond hair and a shy smile, Marshall disarms with a pertness that's offset by a serious enthusiasm for her craft Her parents exposed Marshall, Rob and sister Maura (Rob's twin) to everything â€â€? from baseball to opera to the symphony to ballet and especially to musical theater and cast albums Since then, she has done the dances for the Broadway productions of "Seussical," as well as the revivals of "Follies" and "Kiss Me, Kate Kathleen Marshall says the return of musical comedy in such shows as "Wonderful Town," "The Producers," "Thoroughly Modern Millie" and "Hairspray," has also brought about the return of musical theater dance "Far be it from me to suggest a conspiracy," he said The novelist, playwright and historian, whose works include the 2002 political tract, "Dreaming War: Blood for Oil and the Cheney-Bush Junta," said Americans don't know the truth about Sept "I haven't seen him since then, and I feel no deprivation," Vidal told the Television Critics Association news conference Thursday night Buckley, a political rival, dueling in a 1968 election debate Vidal Promotes Documentary on His Life Jan 13, 3:28 AM EST Gore Vidal, famed for his biting wit and political cynicism, was true to form during a news conference promoting a new documentary on his life 11 "But why didn't they (the Air Force planes) go up?" Calling for an investigation, he added sarcastically, makes him "such an awful character and so un-American One reporter recalled Vidal and conservative William F It took more than an hour for the military to respond when the airplanes were seized, even though federal regulations require Air Force jets to scramble within minutes of a hijacking, he said " Vidal, 77, is the subject of "The Education of Gore Vidal," scheduled to air in June as part of PBS' "American Masters" series |
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