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6 The overall box office was up for the fifth straight weekend, with the top 12 movies grossing $109 It was a solid opening for "Jersey Girl," which appears to have dodged the taint of last summer's Affleck-Lopez bomb "Gigli 10 5 million 4 million, a 26 percent increase from the same weekend last year "Scooby-Doo 2" reunites the computer-animated Great Dane with stars Freddie Prinze Jr put the film out in March, a slower time at theaters, to avoid competing with its own family adventure "Harry Potter and the Prisoner of Azkaban" in June and "Shrek 2" in late May 3 million 7 million in its opening weekend, good enough for an easy No "Starsky & Hutch," $6 "The Ladykillers" and "Jersey Girl" each played in fewer than half the number of theaters as "Scooby-Doo 2," which had a healthy $9,283 average in 3,312 cinemas 5 with $8 With less competition than "Scooby-Doo had in summer, the studio counts on the sequel having a longer shelf life as schools let out for Easter and spring break over the next couple of weeks, said Dan Fellman, Warner head of distribution 3 million "Scooby-Doo 2: Monsters Unleashed," $30 "The Ladykillers," $13 million 'Scooby-Doo 2' Tops Box Office Mar 29, 7:18 AM EST The Mystery Inc Directed by Lars Von Trier, the three-hour "Dogville" stars Kidman as a fugitive who finds refuge â€â€? then subjugation â€â€? among the narrow-minded residents of a Rocky Mountain town "Secret Window," $5 43 million 5 million 3 million 4 million 42 million Mel Gibson's "The Passion of the Christ" held solidly at No 3 million, lifting its 10-day total to $43 9 million Kevin Smith's "Jersey Girl," with Ben Affleck as a widower raising a daughter and a cameo by Jennifer Lopez as his wife, debuted at No " In just one weekend, "Jersey Girl" surpassed the $6 million total domestic gross of "Gigli," which hit theaters amid the tabloid frenzy over former sweethearts Affleck and Lopez's wedding plans 7 million In limited release, Nicole Kidman's "Dogville" opened well with $90,000 at nine theaters in New York City and Los Angeles 5 Playing in 1,583 theaters, "The Ladykillers" averaged $8,214, while "Jersey Girl" did $5,462 in 1,520 cinemas 8 The Coen brothers' "The Ladykillers," starring Tom Hanks in a remake of the 1955 heist black comedy, premiered in second place with $13 million, according to studio estimates Sunday Inc 1 finish but 43 percent below the $54 3 million The previous weekend's top movie, "Dawn of the Dead," tumbled to fourth place with $10 Buoyed by Hanks' star power, "The Ladykillers" had the best opening ever for a Coen brothers flick, topping the $12 9 "Never Die Alone," starring rapper DMX as a dead drug dealer whose life unfolds through audio tapes he left behind, opened weakly at No , Sarah Michelle Gellar, Linda Cardellini and Matthew Lillard "Jersey Girl," $8 Now playing in 3,214 theaters, "The Passion" will widen by 400 to 500 cinemas this Friday, with Gibson and distributor Newmarket counting on a surge in business through Easter "Hidalgo," $5 3 with $12 Like its predecessor, "Scooby-Doo 2" received harsh reviews but managed to lure in the family crowd 5 million debut of their "Intolerable Cruelty" last fall 1 million 3 1 4 "Taking Lives," $6 7 5 million, pushing its total to $315 million 2 Final figures will be released Monday 2 million debut the first "Scooby-Doo" managed in June 2002 Estimated ticket sales for Friday through Sunday at North American theaters, according to Exhibitor Relations Co "Eternal Sunshine of the Spotless Mind," $5 ghostbusters might have to cut their budget for Scooby snacks 11 with $3 "Dawn of the Dead," $10 "Scooby-Doo 2: Monsters Unleashed" took in $30 "The Passion of the Christ," $12 Rather than waiting for summer blockbuster season, Warner Bros As the wanton â€â€? and often naked â€â€? wife, Davis is a comic delight " Here, perhaps to compensate for the esoteric material, Beale tries a bit too hard to be ingratiating Leveaux is a smart, savvy director, and "Jumpers" never looks or sounds less than elegant Beale is making his Broadway debut in "Jumpers" although the actor is known to New Yorkers from his sterling performances at the Brooklyn Academy of Music in such classics as "Twelfth Night" and "Uncle Vanya Yet Stoppard's metaphysical musings are hard to make theatrical Among other things, "Jumpers" is a murder mystery: who killed the yellow-suited gymnast? The man, along with a squad of fellow philosopher-athletes , was performing at a party given by Dotty when he was shot The plot is overstuffed with language and physical movement Even designer Vicki Mortimer's intricate turntable setting never seems to stop moving The story revolves around George, a rumpled professor of moral philosophy who is preparing a paper on the existence of God and who dictates his thoughts to a silent but efficient secretary And for a lot of the time, they somersault right over the heads of the audience Dotty, of course, is the prime suspect Now she's having an affair with Archie, a vice chancellor at the university as well as her psychiatrist The other supporting players are equally adept: Nicky Henson as the unctuous, urbane Archie; Nicholas Woodeson as Inspector Bones, a policeman right out of Agatha Christie by way of Monty Python; John Rogan as a doddering servant, and Eliza Lumley as the mute secretary That said, Beale does capture the essential sadness of a man desperately trying to repair a damaged marriage with the insecure, appropriately named Dotty, played by the voluptuous Essie Davis His portrait of the unraveling George is bigger, broader and filled with more bits of stage busyness than it was in London Along with all that dazzle, "Jumpers," which had a short run on Broadway 30 years ago, exudes a certain smugness as Stoppard spins his rarefied tale of intellectual high jinks and low comedy These thoughts make for some lengthy monologues which Simon Russell Beale (as George) delivers with remarkable finesse " Both were carefully rethought Director David Leveaux worked wonders with his recent Broadway revivals of "Nine" and "Fiddler on the Roof She is a promiscuous, mentally fragile woman who walked out on her musical-comedy career in mid-song It's the one note of humanity in a play that, despite the laughs, is cold and chilly 'Jumpers' Mixes High Jinks, Low Comedy Apr 25, 8:24 PM EST Put on those thinking caps, folks, it's time to face "Jumpers," Tom Stoppard's high hurdle of a comedy filled with dense philosophical discussion, impossibly clever quips, deliberately bad musical numbers and one dead gymnast She's sexy and vulnerable, particularly when perched atop a crescent moon high above the stage and singing songs about the moon The revival, which opened Sunday at Broadway's Brooks Atkinson Theatre, comes from Britain's National Theatre, where it was a big hit last summer Stoppard's verbal dexterity is astonishing as he lays out George's argument for the presence of a higher power Stateside, however, American audiences could be flummoxed by Stoppard's ornate wordplay that seems to be forever calling attention to itself and the play's very specific English references that will have non-Anglophiles scratching their heads |
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