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"Yeah In his new role, Davis will oversee a newly formed group that combines the operations of BMG labels including Arista, J, RCA, and Jive headed by Barry Weiss, the German-based BMG announced Monday " Schmidt-Holtz said he was pleased to have Davis heading the new group's creative efforts It's gratifying It was unclear how the pending merger of Bertelsmann AG and Sony Corp "I know he's going to have a great future," Davis said "It's thrilling " Reid, who took the helm at Arista Records after Davis's departure, and oversaw platinum successes from acts including OutKast, Pink and Avril Lavigne, left the label Davis, 70, will also oversee BMG Distribution, BMG Strategic Marketing, and BMG Canada Bertelsmann, BMG's parent company, traditionally enforces a retirement age of 60 on its top executives "On a personal note, I have to say that since I assumed my role as chairman of BMG, Clive has become not only a trusted business colleague, but also a confidante and partner I'll be with all my old friends at Arista The group, which will be based in New York, will not include BMG Classics nor RCA's Nashville labels Clive Davis to Head BMG Music Labels Feb 3, 4:57 PM EST Legendary record executive Clive Davis has been named chairman and chief executive of BMG North America, where he will once again control Arista Records, the label he founded and was forced to leave in 2000 Last month, Antonio "L , announced in December, would affect the operations of the two music companies or whether Davis would supervise Sony's North American music labels after a merger " "It's too premature," said Davis, who added he had been signed to a "long-term contract David then founded a new label, J Records, with BMG's backing and in 2002 was named head of the RCA Music Group, formed by the merger of RCA Records with J He will report to Rolf Schmidt-Holtz, chairman and chief executive officer of BMG Charles Goldstuck, president and chief operating officer at RCA Music Group, will become president and chief operating officer of BMG North America, where he will report directly to Davis Davis left Arista because of disagreements with the previous management over a succession plan and whether he should mentor a successor Things come full circle," Davis said in an interview " Davis declined comment on Reid's stewardship of Arista A "I couldn't be happier that Clive agreed to assume this greatly expanded responsibility at BMG," Schmidt-Holtz said in a statement Yet he also provides an artificial sense of closure to the stories of the four young women at the story's center R â€â€? Restricted â€â€?â€â€?â€â€? Motion Picture Association of America rating definitions: G â€â€? General audiences The nuns, meanwhile, are led by Sister Bridget (Geraldine McEwan in a fine bit of honey-voiced villainy), who uses either her quick wits or her whip to keep the girls in line ) That said, there's plenty of powerful stuff here It wasn't until 1996 that the last of the asylums closed At the Movies: 'The Magdalene Sisters' Jul 31, 9:08 AM EST Don't expect a nuanced argument out of Peter Mullan's "The Magdalene Sisters," a preachy message movie that has the tone of a long, monotonous bleat And while trying to facilitate her escape, she essentially turns into the temptress the nuns say she is PG-13 â€â€? Special parental guidance strongly suggested for children under 13 PG â€â€? Parental guidance suggested In Bernadette's case, we see how inside the asylum, a girl with a minor naughty streak can turn mean and violent Under 17 requires accompanying parent or adult guardian Two stars out of four Rose (Dorothy Duffy) has a baby out of wedlock, and barely gets a chance to see him before the adoption process is under way and she's imprisoned But there are only so many examples of cruelty and oppression Mullan can trot out before he starts repeating himself or lapsing into melodramatic contrivances NC-17 â€â€? No one under 17 admitted When that happens, the movie becomes less than the great public service Mullan clearly thinks it is For the most part, their fates don't seem representative of the thousands of girls in whose names this movie was made "The Magdalene Sisters," a Miramax Films release, is rated R for violence-cruelty, nudity, sexual content and language There they performed contract labor, mostly laundry, with 100 percent of the profits going to the church Some material may be inappropriate for young children Once inside, pragmatic Margaret and empathetic Rose fade to the background as Mullan focuses on the wild-eyed, rebellious Bernadette and the innocent, mentally disabled Crispina (Eileen Walsh), who's exploited by a priest for sex The movie, which begins in 1964 Dublin, is at its most effective showing how suddenly the girls' lives are taken away from them And Bernadette (Nora-Jane Noone) is sent from an orphanage to the asylum after she lingers a little too long while some boys ogle her from across a fence (It begins and ends by illuminating a wall full of names, like the Vietnam Veterans' Memorial "The Magdalene Sisters" is more like investigative journalism than drama, anecdotal in its revelation of injustices Some material may not be suitable for children Mullan, a gruff Scottish actor-writer-directo r, offers a grab bag of the worst the Magdalene asylums had to offer: the unilateral way girls were imprisoned for minor or nonexistent offenses, the routine beatings, the totalitarian environment and psychological abuse, and the nuns' deep-seated greed and corruption By the end, "The Magdalene Sisters" has made the same point so many times that your sympathy starts to level off All ages admitted Sister Bridget and her plump nuns have a liberal interpretation of the vow of poverty, as their daily breakfasts attest â€â€? with plenty of syrup, butter and bacon Mullan skewers the Magdalene asylums of Ireland, where Catholic girls were sent for years, sometimes lifetimes, for such "offenses" as smiling at a boy too long or being raped Like a prisoner facing life without parole, she has little to gain from good behavior, so she starts cruel, petty wars with the other girls Running time: 119 minutes After Margaret (Anne-Marie Duff) is raped by her cousin at a wedding reception, she's hustled out of bed the next morning and put in a car, and off she goes |
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