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Sadie Yang
Profile: www.sadieyang.exploretalent.com - View Online Porfolio

Model Info: -- DOB year 1983 -- DOB month 4 -- DOB day 23 -- Height inches 61 -- Weight pounds 100 -- Hair color Black -- Eye color Brown -- Ethnicity Asian

It was Jay Levison, not Jacob Harold Levinson, according to his family Correction: 'Silver Bells' Story
Dec 17, 5:26 PM EST

In a Dec 14 story about "Silver Bells" co-composer Jay Livingston, The Associated Press reported erroneously that he also wrote the theme song for "The Bugs Bunny Show

The story also erroneously reported the late Jay Livingston's original name



" The songwriters for that theme were Jerry Livingston and Mack David



The man, an Oscar winner last month for his performance in "Mystic River," creates in bold if simple-minded strokes, draining his characters of any humor and subtlety They are visually striking, much more theatrical than the laugh-free dialogue Robbins gives them Ultraliberals will wonder why, if the president and his policies are the targets, the show isn't sharper and funnier As played by Kaili Hollister, Jen-Jen is pretty much a cipher


Then there's the inevitable "Sing out, Louise" â€â€? Mama Rose's memorable opening moment in "Gypsy" â€â€? during a tense training exercise for the recruits Robbins, who wrote and directed "Embedded," opts for the sledgehammer approach

The production does move swiftly on the bare stage of the Public's Newman Theater, but your mind will wander through the constant whirl

Satire demands much more skill than Robbins has brought to this lame Actors' Gang production, done earlier in the season in Los Angeles

"Don't cry for me, Argentina," he snarls at one point to his hapless charges Neoconservatives, of course, will dislike Robbins' creation for its mega-ton Bush-bashing

There is one twist That may be Robbins' point, but it makes for bland viewing J

It's the journalists â€â€? especially those embedded with various units â€â€? who come in for the roughest patch of criticism, often playing along with the military to put a positive spin on things

The show is mock sentimental in its dealings with the soldiers, particularly as they say goodbye to their loved ones in the States Review: Robbins Play Strenuously Unfunny
Mar 15, 7:51 AM EST

"Embedded"? Embalmed is more like it These scenes recall the schmaltz of those World War II screen epics that usually starred John Wayne

It's difficult to imagine just who the audience is for this show

The cabal around the Chief Executive includes folks with such names as Rum-Rum, Gondola, Woof and Pearly White


Sound familiar? During these sequences, the actors wear masks (created by Erhard Stiefel) with grotesque facial expressions Tim Robbins' heavy-handed harangue, on view at off-Broadway's Public Theater, is satirical deadwood, a strenuously unfunny riff on the war in Iraq (here called Gommorah) that should send audiences of all political persuasions fleeing up the aisles But then, finding genuine wit in "Embedded" is as difficult as finding weapons of mass destruction in Iraq

The show, a mercifully brief 90 minutes, has three major components: the tales of those nefarious presidential advisers who create and orchestrate the war; the journalists who report on it, and the soldiers who fight in it Hardchannel, a rough, crewcut commander who happens to be a musical-theater buff Foster) peppers his barks to reporters with a parade of show references These show-biz jokes are funny the first or second time you hear them, but Robbins doesn't let go until their effectiveness is diluted One of those heading overseas is Jen-Jen Ryan (read Jessica Lynch), a young female soldier who gets captured by the enemy and whose ordeal is exploited by the government and the press for their own purposes The man (a scrappy, memorable V

The press is under the command of Col


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