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Christie Allen
Profile: www.christieallen.exploretalent.com - View Online Porfolio

Model Info: -- DOB year 1984 -- DOB month 11 -- DOB day 28 -- Height inches 63 -- Weight pounds 94 -- Hair color Brown -- Eye color Brown -- Ethnicity Mixed



MSO's stock climbed from $8 to over $12 per share in the month before her indictment, falling from $11 Martha Stewart Living Stock Jumps
Jul 16, 3:53 PM EST

Shares of Martha Stewart Living Omnimedia Inc

MSO surged $3

After Stewart was indicted on June 4, 2003, she stepped down as chairman and CEO of Martha Stewart Living Omnimedia, but remained on the board and assumed the title of creative director 35 and $9 86 after the guilty verdict was returned 1 million shares The stock, which traded between $9 She stepped down from both posts March 15 and now holds the title of founding editorial director


The judge could have also ordered her to serve her time while her appeal was ongoing 12 before slipping back

Stewart received five months in prison and another five months of home confinement, and must pay a $30,000 fine

Volume in the stock was extremely heavy at about 17

Stewart could have received up to 16 months in prison on the four counts of which she was convicted

Stewart still maintains a 61 percent stake in the company

The stock climbed steadily during her trial earlier this year, as investors believed she would be found innocent In addition, the judge allowed Stewart to remain free while she appeals the verdict


It was the highest percentage gainer on the NYSE for the day In the half-hour prior to the verdict, the stock surged from $13 to $17 per share, only to fall to $10 45 per share in the half-hour prior to sentencing, moved from $9 shot higher Friday after the company's founder was sentenced to prison time for lying to federal authorities about a stock sale unrelated to the company 52 per share the day she was officially charged 35 in the four minutes after the news broke, then rose as high as $12 40 to $9 81 on the New York Stock Exchange 17, or 37 percent, to $11 59 to $10

"In the Same Regard" feels unfinished and not as cheerfully loony For example, there are jokes about being technologically left behind Irwin uses them all in his visual send-ups

Skinner's professorial character champions contemporary or "new" theater, disdaining the more traditional form found behind a proscenium arch, a much despised artifact of "old" theater Only now he's reading a book entitled "Social Security and You

After intermission, there's more of the same, but now our three performers acknowledge that it is 20 years later, and Irwin's clown, for one, is feeling a bit out of date

Skinner is equally skilled at celebrating the past He's still in bed They play sort of a cat-and-mouse game in which neither gets the upper hand Of course, just about everything that ends up on the Signature stage is delightfully retro

It's been two decades since Irwin and several of his cohorts in comedy â€â€? Doug Skinner, Michael O'Connor and Nancy Harrington â€â€? created a classic bit of tomfoolery called "The Regard of Flight

His admiration stretches back to commedia dell'arte, to vaudeville and to the great comics of the silent screen such as Buster Keaton and Charlie Chaplin




Irwin's wide-eyed stage persona celebrates the comically frazzled " Together, the two acts make up "The Regard Evening," the second offering in the Signature Theatre Company's season-long salute to this blissfully funny clown The man is an excellent ventriloquist, too, bantering with a primly dressed dummy named Eddie whose persona mirrors Skinner's own After all this time, that piece remains as airborne as ever

"The Regard of Flight" gently mocks theatrical conventions â€â€? with Skinner, who also is Irwin's masterful musical accompanist, explaining them in the driest, most deadpan manner possible "

The brief act â€â€? almost a short sketch â€â€? is a pale extension of what has gone before The clown doesn't even have a Web site Review: 'Regard Evening' Draws on Antics
Dec 15, 9:42 PM EST

The sweet-tempered antics of Bill Irwin are ageless


Here, he's an Everyman trying to get a good night's sleep when, all of a sudden, he is thrust into a hilarious dissertation on theater

Also scampering around the stage is O'Connor, portraying a relentless, owl-eyed critic who takes great delight in challenging and chasing the beleaguered Irwin But then, "The Regard of Flight" is a hard act to follow

Irwin has a deep affection for the clowns and comedy of yore, a love that he demonstrated in his previous Signature work, "The Harlequin Studies," which played at the Signature earlier in the season In a light, pleasing voice, he sings two hokey, early 20th-century tunes â€â€? "Home in Pasadena" and "A Long Way From Home" â€â€? that goofily pay homage to homesickness Yet he is also adept at verbal interplay, particularly his spoofing of an actor struggling to perform Shakespeare in the most arty manner possible "

Now Irwin, with an assist from Skinner and O'Connor, has brought it back, along with a less successful, after-intermission update entitled "In the Same Regard


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