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) That's OK, though, because Garner accomplishes something that Tom Hanks did, too: She truly makes you believe you're watching a child trapped inside the body of an adult, and is absolutely charming in the process But at other times, she functions capably as an adult: Jenna commandeers a redesign of the magazine and competes with Lucy (Judy Greer), the meanest girl in school who, she's now surprised to learn, has become her best friend and co-worker NC-17 â€â€? No one under 17 admitted "13 Going on 30," a Columbia Pictures release, is rated PG-13 for some sexual content and brief drug references Three stars out of four Anyway, Jenna suddenly wakes up in a Greenwich Village apartment (with a fabulously stocked closet) and finds she's dating a New York Rangers star and has a high-powered gig at the same fashion magazine she read as a child " The star of TV's "Alias" plays an awkward 13-year-old girl who yearns for adulthood and is transported to her future as a 30-year-old woman, so comparisons to "Big" are inevitable That was back in the big-haired days of 1987 â€â€? which brings me to a truly nitpicky quibble: The music, which is a huge part of the movie, is just a little bit off The aforementioned "Thriller" was big in 1983 "13 Going on 30" opts for the obviously happy ending when there're at least a couple others that would convey the film's message Some material may not be suitable for children (And there are more than a couple of nods to that 1988 movie: She marvels at Manhattan through the sun roof of a limousine and makes simplistic suggestions at the office that are interpreted as genius Even during a potentially cringeworthy moment at a party â€â€? when she busts out the moves from Michael Jackson's "Thriller" video and everyone else joins in â€â€? Garner is so lovably goofy, she makes it palatable Gary Winick â€â€? who previously directed the low-budget "Tadpole" and produced indie films on digital video including "Tape" and "Chelsea Walls" â€â€? also goes big here, depicting Jenna's adventures with bright color and high energy At times, Jenna seems to have the mentality of a young girl: She gets giggly and grossed out by the idea of making out with her boyfriend, for example Running time: 97 minutes R â€â€? Restricted The logic in the script from husband-and-wife Josh Goldsmith and Cathy Yuspa, who also wrote "What Women Want," gets shaky here But now I'm probably just being too grown-up and uptight Jenna listens obsessively to "Jessie's Girl" by Rick Springfield, which came out in 1981, and Madonna's "Crazy for You," a hit in 1984, plays during a game of Seven Minutes in Heaven Some material may be inappropriate for young children As Jenna Rink, she wishes during her 13th birthday party that she could be "30, flirty and thriving," to quote the fashion magazine that's her bible â€â€?â€â€?â€â€? Motion Picture Association of America rating definitions: G â€â€? General audiences All ages admitted Under 17 requires accompanying parent or adult guardian But this teen-girl fantasy has some poignant moments, too, especially with Mark Ruffalo, who plays a grown-up version of the geeky boy next door she jilted as a child PG â€â€? Parental guidance suggested Ruffalo, the co-star of "You Can Count on Me" who's great in everything he's in â€â€? even the self-serious "In the Cut" â€â€? gives the movie some emotional weight and resonance when everyone else is flitting about being girlie It's a joy to see Garner's radiant smile replacing her usual tough-gal scowl, to watch her use her physicality for having fun instead of kicking butt PG-13 â€â€? Special parental guidance strongly suggested for children under 13 Review: Garner Charms in '13 Going on 30' Apr 22, 8:06 AM EST Jennifer Garner goes big in her first starring role in a comedy â€â€? and it pays off big-time â€â€? in "13 Going on 30 Equity has forged dozens of what she calls "deals" for salaries that allow a show to survive Next week, the New York-based Big League Theatricals is taking "Miss Saigon" to Newark's New Jersey Performing Arts Center, after stints in Boston and Philadelphia Big League's executive producer, Dan Sher, said the weekly non-Equity salaries in "Miss Saigon" are more than $450 â€â€? but he refused to name a figure, saying only: "We pay many of our actors more per week than a lot of Equity minimum contracts do across the country During Wednesday's protest, Equity members presented "The Jobless Chronicles," a one-act musical showcasing unemployment stories, and the fictionalized story of a "Miss Saigon" cast member who runs away from the production Actors Stage Union Protest in NYC Oct 30, 9:44 AM EST Hundreds of Broadway actors huddled under the rain in Times Square, blasting producers who take shows like "Miss Saigon" on the road while paying performers lower, nonunion wages " Besides, he said, taking this show on the road is expensive, and includes costs for rights to the production, stage crews and transportation costs Stamatiades said her union is not demanding ironclad wages, especially if a producer is facing an economic crunch And ticket prices, he said, are set by respective theaters, not by the production company Big League also took a nonunion "Music Man" on the road She said that of the 45,000 Equity members nationwide, most support the protest action against nonunion productions "Miss Saigon" employed union members while the musical played on Broadway, but as a new non-Equity tour travels to major cities, its actors are earning about $450 a week instead of the more than $1,300 wages under the Actors' Equity production contract, said Maria Somma, spokeswoman for the protest's road campaign "We pay actors what we can afford to pay based on the budget," Sher said "And you're being held ransom for doing what you desperately want to do!" "The producers are charging almost the same ticket prices, but the actors are getting only one-third the money," said Flora Stamatiades, Equity's national director of labor organizing "They're left-brained money men!" actress Sandy Duncan yelled into a microphone set up just behind the TKTS discount ticket booth Wednesday night "Non-Equity shows used to go to smaller markets But 'Saigon' is hitting major cities â€â€? that's a change," Somma said |
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