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C " The powerful movie, television and home video industry, represented by the Motion Picture Association of America, spurned the agreement The passage of Hollings' bill has been in doubt since the 2002 election, because Republican John McCain of Arizona replaced him as chairman of the Senate Commerce Committee when the GOP won the majority in the Senate , that would prohibit the manufacture or distribution of "digital media devices" â€â€? such as handheld music players â€â€? unless they include government-approved copy restriction technology pdf " It cited plans by the technology industry to spend $1 million over the next six months on a new organization, the Alliance for Digital Progress S Technology companies have complained that such controls are too expensive and complex Both sides said Tuesday they were willing to continue negotiations They also will argue against efforts in Congress to amend U "We thought it would be more productive without the motion-picture industry holding a legislative gun to our head," said Ken Kay of the Computer Systems Policy Project, which represents chief executives at IBM, Dell Computer Corp " It criticized the music industry for opposing such controls, saying that "no reasonable alternative course of action should be eliminated from consideration The MPAA said that despite Tuesday's agreement, it was "not prepared to abandon the option of seeking technical protection measures via the Congress or appropriate regulatory agency, when necessary It is the primary supporter of a bill by Sen The MPAA has aggressively supported new government requirements for built-in locking controls on new devices, such as DVD recorders " The MPAA also complained Tuesday about promises by the music and technology companies to participate in "constructive dialogue MPAA Spurns Digital Copyright Plans Jan 14, 6:55 PM EST Hollywood spurned a high-stakes agreement disclosed Tuesday between leading music and technology companies aiming to protect copyrights on digital movies and music without new government involvement A bid proposal for public-relations companies said the group's ambition was to "counter Hollywood" on the debate over copyrights She said the agreement will help stem "needless legislative battles, silly rhetoric about what divides us and continuing disharmony in the public policy arena laws to broaden the rights of consumers, such as explicitly permitting viewers to make backup copies of DVDs for personal use or copy downloaded songs onto handheld listening devices Ernest Hollings, D-S They will caution that such tactics must not be destructive to networks or to a user's computer data, and must not violate a person's privacy The agreement attempts to head off government intervention in the rising debate between Hollywood and Silicon Valley over what consumers can do with commercial music or movies they purchase org/usa/policyres/7(underscore)principles "What we're saying is, we don't need our heads banged together," said Hilary Rosen, chief executive for the music group bsa In exchange, the Recording Industry Association of America agreed to argue against government requirements to build locking controls into future generations of entertainment devices to make it more difficult for consumers to share music and movies , among others Under the agreement, technology lobbyists will argue that record companies should be permitted to use hacker-style tactics to disrupt Internet downloads of pirated music and movies The unusual compromise, brokered among the music industry and some of the largest computer companies, lists seven "guiding principles" that the companies hope lawmakers will take into account as Congress develops future technology policies Technology executives responded that they had sought a six-month "cease-fire" on any lobbying activity during a meeting with Hollywood executives in Chicago in September â€â€?â€â€? On the Net: Technology and record company policy principles: http://www and Hewlett-Packard Co net It's just two different techniques "I've always had that feeling that when it's the right timing and I have the opportunity to come to America I will do it I don't know if I will ever do it again, if it was my first and last time "I always liked different kinds of music " "I always wanted to do a country-and-western number, and when I heard her album, `Little Sparrow,' I immediately fell in love with the songs," Sissel said But I really enjoyed it " During her recent PBS special, "Sissel in Concert: All Good Things," the 33-year-old sang "Pie Jesu" from Andrew Lloyd Webber's Grammy-winning "Requiem" and an aria from Puccini's "Gianni Schicci "I got more and more jobs and went into the record company to record an album when I was 16, so in a way, I knew where I was going 4 Her first album was released two years later, selling 300,000 copies in Norway Why didn't you pursue a career in classical music? Sissel: You can't do pop music or bluegrass or country and western with a classical voice 5 Although she's sold 8 million albums, mostly in Scandinavia, her self-titled October release on Decca marked her formal introduction in the United States When did you realize that you had a beautiful singing voice? Sissel: For me, it was nothing to discover because the voice has always been there Were you excited about the PBS special? Sissel: As a special TV program it's definitely the biggest audience I've had because in Scandinavia, we aren't that many It was not only by the record company but to do the PBS special that I felt the timing was right," she said I look at myself as a pop artist and then I like to do just in between," she said by phone from her home in Bergen, 302 miles west of the capital, Oslo " She also sang Simon and Garfunkel's "Bridge Over Troubled Water" with British tenor Russell Watson and Dolly Parton's "Marry Me She also sang on the soundtrack of 1997's Oscar-winning "Titanic I just did it because I wanted to," she said Kind of (add) spice to the dish sissel 1 "I will always sing a little bit of classical, but to make it that one main thing is a little bit hard because pop music is my base Sissel said she started out singing in choirs, at homes for the elderly, in churches â€â€? and at a local prison How did it feel to sing Dolly Parton's "Marry Me"? Sissel: I was very nervous doing it because I've never done that kind of music 2 I will always sing a little bit of classical, but to make it that one main thing is a little bit hard because pop music is my base 3 " Last December, Sissel sang at a concert for former President Carter after he accepted the Nobel Peace Prize in Oslo Do you prefer any particular genre of music? Sissel: I always liked different kinds of music I look at myself as a pop artist and then I like to do just in between That's probably why I decided not to become a classical singer â€â€?â€â€?â€â€? On the Net: Sissel Web site: http://www Five Questions With Norway Singer Sissel Apr 2, 12:01 PM EST Sissel is a Norwegian songstress and classical crossover artist who can go from country and bluegrass to pop and opera "Every Christmas we had a concert with some friends at the prison here in Bergen I sort of decided to stick with the pop and do the other things in between I've always known I wanted to be a singer " Sissel made her first Norwegian television appearance when she was 15 Along with recording, she's appeared on stage in performances ranging from Maria in "The Sound of Music" in her late teens to the more demanding "Peer Gynt" by Edvard Grieg |
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