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Submit yourself to tens of Auditions now! Spending hours and not finding the acting jobs & modeling jobs you need? Find modeling auditions, casting calls & acting auditions, all in one place. Stop spending hours searching for casting & auditions. Submit yourself to casting calls & auditions -- Get a call when a casting director wants you. ExploreTalent is #1, most visited by agencies, agents & casting directors. Join Explore Talent now find open calls, acting audition, Pageants agents Jumpstart your acting and modeling career | Explore Talent The World's Leading Talent Website! Models - Actors - Auditions - Casting |
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7 million for just 10 days of work a year â€â€? and that's just her hair The five-year endorsement deal calls for Beyonce to work 10 days annually for photo shoots, promotions and personal appearances, although L'Oreal can ask for two extra ten-hour "service days" at the rate of $25,000 a day Beyonce can't go near Revlon of Clairol products and must maintain "approximately the same physical appearance and health Beyonce's Hair Is Worth Millions Aug 20, 9:59 AM EST Beyonce reportedly makes up to $4 But she has to inform L'Oreal of "any radical change to her hair any concert tour may necessitate" and keep it in excellent condition, according to The Smoking Gun Web site, which has posted the contract between the singer and the cosmetic giant "< /p> L'Oreal also retains the right to inspect her hair, as long as she gets two weeks' notice Like Cruise and Foxx, Collateral wants to get under your skin And watch Vince size up Max, especially his ability to know exactly how long it takes to get from one place to another in the city of damaged angels But it's the moral perspective in Mann films (Thief, Heat, The Insider) that brings depth and resonance Scared shitless, at first, Max starts to act like a tough guy and is exhilarated by his success It's too late Nighttime in L This clash of light and shadow is made even more gripping by Mann's inspired decision to have cinematographers Paul Cameron and Dion Beebe shoot eighty percent of the film on high-definition digital video As Vincent, hired by a narco trafficking cartel to off five trial witnesses in the ten hours between dusk and dawn, Cruise freezes all warmth out of his killer smile In the film's key scene -- far more effective than the subway-chase climax -- Max is forced to pretend he's Vince to a drug lord, vividly played by Javier Bardem But when the first body falls, splat, from a window onto Max's cab, the driver wants out Hall) sees her son as a passive failure A Cruise takes his game to a whole new level Watch Max -- who's been hacking for twelve years while delaying his dream of owning a limo service -- with his first customer of the night Vince thinks he's just "taking out the garbage If all you know of Foxx is from TV sitcoms and movie drool (Breakin' All the Rules), you're in for a shock , complete with three coyotes crossing in front of Max's cab in mockery of the city's thin hold on civilization, becomes Mann's visionary peek into hell Mann stages action like nobody's business -- there's a nightclub shootout that stands with his most thrilling work Max thinks he's just a victim of bad timing The camerawork is groundbreaking, able to penetrate the murkiest depths The cops (Mark Ruffalo, Peter Berg) and the feds (led by Bruce McGill) peg Vince as a badass sociopath Max bites for Vince's offer of $600 to be his errand boy Mann and Aussie screenwriter Stuart Beattie build character out of small, telling details This is Foxx's year (his upcoming turn as Ray Charles in Ray takes him to Oscar heights), with the revelations starting here as Max Collateral Tom Cruise, Jamie Foxx, Jada Pinkett-Smith, Mark Ruffalo, Peter Berg, Javier Bardem Directed by Michael Mann 2004 Action Rated R No crime film in years boasts a cooler vibe than Michael Mann's dazzling Collateral, a head-spinning ride with the devil through a Los Angeles night that gleams with danger Matching him step for step is Jamie Foxx as Max, the cabdriver Vincent forces into chauffeuring him on his murder spree Reporting for duty as a stone-cold contract killer is Tom Cruise, who gives a dynamite performance by undercutting his heroic star image even more than he did in Interview With the Vampire and Magnolia Mann hits a new peak, orchestrating action, atmosphere and bruising humor with a poet's eye for urban darkness And his teamwork with Cruise is a thing of beauty Foxx fires up the screen with the power and subtlety of a born star Max has a corpse in his trunk and a gun to his head With steel gray in his hair and a silver suit that fits him tighter than snakeskin, Cruise is like a cobra poised to spring And when he does -- just after he and a jazz trumpeter (a remarkable Barry Shabaka Henley) discuss what makes Miles Davis cool -- the effect is electrifying Does it ever " Max's hospitalized mother (the great Irma P She's Annie Farrell (a fine, feisty Jada Pinkett Smith), a federal attorney who feels an unarticulated connection with blue-collar Max; she gives him her card |
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