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" After 10 years of the most popular TV comedy, which followed six New York coffee shop regulars as they moved from post-adolescence to something approaching adulthood, most of the Friends' futures were was pretty much set NBC was hoping the hour-long finale would become a cultural touchstone like the last episodes of "Cheers" and "Seinfeld Phoebe's gotten married, Monica and Chandler are moving to the suburbs with baby in tow and Joey is heading west to get serious about his acting career "Join us tomorrow as we begin a 12-step program for getting over `Friends,'" he said It was the subject of a two-hour "Dateline NBC" on Wednesday and Jay Leno filmed Thursday's "Tonight" show from the "Friends" set " The network was privately predicting around 45 million viewers would watch NBC will spin off LeBlanc's character, Joey Tribbiani, for a new comedy that will take the mother ship's Thursday time slot next fall The six actors involved â€â€? Matt LeBlanc, Jennifer Aniston, Courteney Cox Arquette, Matthew Perry, David Schwimmer and Lisa Kudrow â€â€? maintained an all-for-one spirit off-screen, even negotiating contracts together 'Friends' Set to Say Farewell on NBC May 6, 6:19 PM EST The fate of television's favorite on-again, off-again couple, Ross and Rachel, was headed for a resolution Thursday on the final episode of "Friends The number NBC likes best is $2 million, which advertisers were paying for a 30-second commercial on the final "Friends The last "Cheers" was seen by 80 "Today" show anchor Matt Lauer sardonically noted all the attention Thursday while previewing coming attractions on his own show 4 million people in 1993 and "Seinfeld" had 76 Television's most popular series finale ever, "M-A-S-H," was seen by 105 million viewers in 1983, according to Nielsen Media Research 2 million for its 1998 ending The network has hardly been shy promoting the "Friends" finale The Academy Awards had 43 With "Frasier" finishing next week, HBO's "Sex and the City" gone and CBS' "Everybody Loves Raymond" expected to end next year, television is losing some of its best and most popular comedies with little to replace them " It's also the end of an era for TV comedy 5 million viewers That would make it second to the Super Bowl, which had almost 90 million viewers, as TV's most-watched event this year The couple's tortured romantic past included a quickie Las Vegas wedding and a baby, born during last May's season finale and seldom seen since Thursday's suspense involved Rachel's plan to take a new job in Paris and whether Ross would try to stop her â€â€? or join her As if on a circuit, a fur-swathed woman hurried around and around the garage floor, casting anxious glances over her shoulder and into the parked cars There were no reminders to turn off cell phones, only a pesky car alarm that was quickly disabled o rg Whitney Museum of American Art: www sensproduction " In 2002, Lafrance wowed New Yorkers with her magical "Descent," in which 12 female dancers worked their way down a courthouse clock tower staircase, the audience moving behind them Vignettes gave way to full company work, comprised mainly of languorous duets As audience members peered at Saabs and Mazdas in search of their "seats," dancers emerged â€â€? a man in trench coat and fedora leaning up against a concrete column, a platinum blonde striding across the cavernous space Intriguing characters became dancers again, and ceased to fully engage with the space Viewers craned their heads back and forth as the dancers (five women and five men) snaked through the cars surrounding the rectangular "stage With "Noir," the action unfolded across the low, horizontal plane of the garage floor As the dance progressed, what had been an excitingly fluid line between art and audience grew more traditionally defined, with the dancers retreating to the center area Men in black suits edged their way along the walls, one stopping to remove a suitcase from a car's trunk whitney org Her period costumes, complete with long white gloves, pistols and plenty of cigarettes, helped set the mood, as did Thomas Dunn's mix of stark and shadowy lighting Audiences for Noemie Lafrance's latest dance get one choice â€â€? front seat or back Instead of a unifying narrative, Lafrance spliced together shifting allegiances that yielded stylized moments of romance, treachery and violence 'Noir' Brings Dance to the Parking Lot May 6, 3:04 PM EST Forget orchestra seating Similarly, as the work's aura of suspense receded, former voyeurs became audience members, straining to get a good view Brooks Williams' score â€â€? a mix of whispers, ambient sound and movie and musical clips â€â€? filtered in through the car radios Unfortunately, "Noir" never journeyed far past this initial mood, with the concept upstaging Lafrance's choreography "Noir" opened Wednesday night on the fifth floor of a Lower East Side parking garage Inspired by 1940s film noir, the hourlong work, part of the 2004 Whitney Biennial, evoked the glamour and tension of old Hollywood with gangster-style vignettes Still, if "Noir" failed to match the standard set by "Descent," there were moments of ingenuity and excitement Taut with unexpressed desire, the women were partnered by stoic men, who limited their forward thrusting movements or swept them overhead in slow arcs â€â€?â€â€?â€â€? On the Net: Sens Production: www Some were planned, as when the dancers unfurled Venetian blinds from the ceiling and peered nervously through them, while others were fortuitous, especially a brief thunderstorm that streaked the floor with rivulets of water â€â€? or was it a gunshot and blood? "Noir" shows at the Delancey & Essex Municipal Parking Garage through May 29 |
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