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Moore was momentarily flabbergasted when he took the stage to accept the award, a big difference from his fiery speech against President Bush after winning the best-documentary Academy Award for 2002's "Bowling for Columbine Just back in Cannes after his daughter's college graduation in the United States, Moore dedicated the award to "my daughter and to all the children in America and Iraq and throughout the world who suffered through our actions Many Americans now realize the French are "good friends of America who tried to do the right thing and tell us this was the wrong road," Moore said " "Fahrenheit 9/11" made waves in the weeks leading up to Cannes after the Walt Disney Co Another jury prize went to Irma P Tony Gatlif won the directing honor for "Exiles," his road-trip about a couple on a sensual journey from France to Algeria -led war on Iraq He noted that the nine-person Cannes jury that awarded prizes had only one French member and four Americans, including jury president Quentin Tarantino and actress Kathleen Turner The festival was to wrap up Sunday with encore screenings of award winners and other key movies that played the festival, including a combined, four-hour version of Tarantino's two "Kill Bill" installments S With Moore's customary blend of humor and horror, "Fahrenheit 9/11" accuses the Bush camp of stealing the 2000 election, overlooking terrorism warnings before Sept Keren Yedaya's "Or," about a Tel Aviv prostitute in failing health and her teenage daughter, won the Golden Camera award for best film by a first-time director The directing and writing prizes went to French filmmakers "Fahrenheit 9/11" was the first documentary to win Cannes' prestigious Palme d'Or since Jacques Cousteau's and Louis Malle's "The Silent World" in 1956 11 attacks, won the top prize Saturday at the Cannes Film Festival -born Yedaya, who grew up in Israel, gives lectures about the problems of prostitution for government officials and mental-health professionals The grand prize, the festival's second-place honor, went to South Korean filmmaker Park Chan-wook's "Old Boy," a blood-soaked thriller about a man out for revenge after years of inexplicable imprisonment Hall for her role as an elderly Southern woman who foils a casino robbery in the Coen brothers' crime comedy "The Ladykillers," starring Tom Hanks as the heist's ringleader soldiers and war victims in Iraq, and archival footage of Bush " Thai director Apichatpong Weerasethakul's "Tropical Malady" â€â€? widely regarded by Cannes audiences as a snoozer for its elongated scenes of a man wandering a jungle alone, with no dialogue â€â€? won the festival's third-place jury prize Merci," Moore said after getting a standing ovation from the Cannes crowd The U Agnes Jaoui and her romantic partner, Jean-Pierre Bacri, won the screenplay award for "Look at Me," their study in self-image centering on an overweight young woman who feels neglected by loved ones The film relies largely on interviews, footage of U "We owe the people of this country an apology for the way they were debased and treated in our media 11 and fanning fears of more attacks to secure Americans' support for the Iraq war 'Fahrenheit 9/11' Wins Cannes' Top Prize May 22, 3:15 PM EST American filmmaker Michael Moore's "Fahrenheit 9/11," a scathing indictment of White House actions after the Sept "What have you done? I'm completely overwhelmed by this Moore said after the ceremony that he expected right-wing media outlets in the United States to characterize his prize as an award from the French, whose government opposed the U refused to let subsidiary Miramax release the film in the United States because of its political content Some critics speculated that if "Fahrenheit 9/11" won the top prize, it would be more for the film's politics than its cinematic value S The best-actress award went to Maggie Cheung for her role in "Clean" as a junkie trying to straighten out her life and regain custody of her young son after her rock-star boyfriend dies of a drug overdose While "Fahrenheit 9/11" was well-received by Cannes audiences, many critics felt it was inferior to Moore's Academy Award-winning documentary "Bowling for Columbine," which earned him a special prize at Cannes in 2002 " "You have to understand, the last time I was on an awards stage, in Hollywood, all hell broke loose," Moore said Moore appears on-screen far less in "Fahrenheit 9/11" than in "Bowling for Columbine" or his other documentaries Earlier Saturday, Senegalese filmmaker Ousmane Sembene's "Moolaade," an examination of the ritual of female circumcision that earned rave reviews, won the top prize in a secondary Cannes competition called "Un Certain Regard " The 12-day festival's closing film â€â€? "De-Lovely," Kevin Kline's musical biography of Cole Porter â€â€? screened immediately after the awards Jaoui and Bacri also co-star S Miramax bosses Harvey and Bob Weinstein are negotiating to buy back the film and find another distributor, with hopes of landing it in theaters by Fourth of July weekend "Fahrenheit 9/11" won the top award at a festival that sharply divided Cannes moviegoers, who found a solid crop of good movies among the 19 entries in the festival's main competition but no great ones that rose to front-runner status Fourteen-year-old Yagira Yuuya was named best actor for the Japanese film "Nobody Knows," in which he plays the eldest of four sibling raised in isolation, who must take charge of the family when their mother leaves Kline and co-star Ashley Judd then hosted a beach concert featuring Sheryl Crow, Alanis Morissette, Natalie Cole and other singers from "De-Lovely" performing Porter tunes The show, which stars Noah Racey and Nancy Lemenager in what are the Astaire and Rogers roles, has struggled at the box office ever since opening Dec "The wet and cold weather has not helped anything in New York, whether it is the restaurants, the retailers or the theater " The revival of "Gypsy," which features Peters as the domineering mother of stripper Gypsy Rose Lee, folds Feb For the week ending Feb "Gypsy," starring Bernadette Peters, and "Never Gonna Dance," a homage to the 1936 Fred Astaire-Ginger Rogers film "Swing Time," will both close before the end of the month, done in by declining box-office receipts and frigid weather "The Producers," with Nathan Lane and Matthew Broderick headlining, sold out, doing its customary $1 million-plus business "Dance" will close one week after "Taboo," the Boy George musical produced by Rosie O'Donnell, which had announced last month that it will fold Feb In a statement, the producers of "Never Gonna Dance" said the show "has not been able to build an audience and survive the devastating industrywide impact of the current record-breaking cold weather 27, the evening before a two-performance day Winter Chill Claims Two Shows on Broadway Feb 2, 6:04 PM EST New York's chilly winter season has claimed two big Broadway musicals and hurt several long-running shows "Never Gonna Dance" has a new book by Jeffrey Hatcher and features the music of Jerome Kern, including such standards as "The Way You Look Tonight," "A Fine Romance" and the title song For the week ending Feb 1, it grossed $360,035, about $140,000 below its weekly break-even point "The Lion King" "Mamma Mia!" and "Hairspray" slipped a bit, but all three managed to reach more than 80 percent capacity There were a few bright spots 15 after only 84 performances 28 at the Shubert Theatre after 347 performances, while "Never Gonna Dance" calls it quits Feb " Broadway was particularly hard hit last week when a big snowstorm hit New York Tuesday Jan "The winter is always a difficult time for shows that don't come out of the Christmas season quite as strongly as they would like," Jed Bernstein, head of the League of American Theatres and Producers, said Monday 4 to mostly mixed reviews "Gypsy," which reportedly has recouped only about 40 percent of its investment, opened last April to generally positive notices The weather particularly staggered several veteran musicals, with "42nd Street," "Rent," "Beauty and Beast" and "Aida," all playing to less than 50 percent capacity for the week ending Feb 8 1, the musical grossed $242,002, filling only 41 percent of the seats at the Broadhurst Theatre 1 |
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