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" "It's a lot like an opening night audience in New York, or maybe even better While imitating the intermission chatter of bored theatergoers, Alexander's character inserted the line: "Yeah, he's good The Los Angeles production of "The Producers," playing at the Pantages Theatre on Hollywood Boulevard, is set to run through January 4, 2004 Looking to his wife, actress Anne Bancroft, in the audience, he added: "I never cry, do I Anne?" The story, Brooks has said, was inspired by a real-life experience he had working for a producer who would sleep with elderly women as a pretext for talking them out of their wealth The movie was his first directing effort before making the classic comedies "Young Frankenstein," "Blazing Saddles" and "High Anxiety " Having many movie-star faces in the audience made him feel more at ease, Short added "It's funny, because these people are my friends," he said " Thursday's premiere even included a joke about the long shadow of the Broadway version Alexander took over Thursday night as Max Bialystock, a lowlife theater producer who convinces the meek accountant Leo Bloom, played by Short, to help him cheat elderly investors by creating a surefire flop called "Springtime for Hitler May 30, 6:11 AM EST LOS ANGELES (AP) -- Mel Brooks brought his singing Broadway bandits West as a new production of his show-business satire "The Producers" premiered with Jason Alexander and Martin Short starring as the conniving theater impresarios " "We had a great time tonight, we really did," Alexander said after the show " Since Los Angeles is known mainly for movies and not stage shows, does a stage premiere in the City of Angels compare to the Great White Way? "It's just about the same I shamelessly steal all the good stuff and then fill in wherever I can " "Every actor who plays a role is uniquely themselves and you bring your methodology and your life experience to it â€â€? my sense of humor, which is different from everybody else's," Alexander said I'm very touched," he said, his voice breaking with emotion You still have to take care of yourself," said Short, who has starred in such Broadway shows as "Little Me" and "The Goodbye Girl 'The Producers' Storm L "More than a little," he acknowledged "I know the movie backwards so I can't not "I'm very moved, and I don't get moved easily " Thursday's premiere of "The Producers" brought out scores of Hollywood luminaries, including Tom Hanks, Rita Wilson, Alec Baldwin, Goldie Hawn and Billy Crystal but he's no Nathan Lane "But this is a famous role, so it is an homage to Zero and Nathan and all the other guys who have played it " Brooks, who recently described the movie version of "The Producers" as "the closest thing to my heart," took the stage at the end of the performance and thanked the cast and crew for bringing it to Los Angeles Asked for his review of the show, Hanks replied: "Uh, five stars out of four A " The story started as a 1968 movie with Zero Mostel as Bialystock and Gene Wilder as Bloom, but is perhaps best known as the Broadway stage show that won a record 12 Tony Awards in 2001 with former stars Nathan Lane and Matthew Broderick "Sometimes it's like climbing a mountain but tonight it was walking on air Alexander borrowed a little of the late Mostel's signature halted sputter for his performance Federal Trade Commission and are optimistic that final action will be forthcoming in the very near future," Bertelsmann said Independent music companies have lobbied against approval of the deal, and threatened legal action to overturn the decision The Financial Times reported last week that the two companies plan to cut about 2,000 jobs, or a quarter of their combined work force, to achieve a hoped-for $300 million in annual savings S Monti reversed his merger team's initial objections to the deal after two days of closed-door hearings in June with the companies and third parties, including independent labels and companies involved in the emerging legal market for online music downloading "The joint venture will create a recorded music business better able to serve artists and consumers in this rapidly changing marketplace," Bertelsmann chief executive Gunter Thielen said In the United States, Sony-BMG and Vivendi Universal were in a dead heat for dominance in the album industry in 2003 with the former holding 31 percent of the market and the later controlling 30 percent, according to Nielsen SoundScan, which tracks music sales The EU's executive body, the European Commission, had been widely expected to endorse the decision of Mario Monti, the EU's competition commissioner, to approve the merger "The merger was approved without conditions," Bertelsmann spokesman Oliver Herrgesell said in a telephone interview The EU initially said the deal could lead to higher CD prices, fewer choices for consumers, and stifle the development of legal online music downloading Sony-BMG and Vivendi Universal control about a quarter each A source close to Sony confirmed that the deal had been approved by the commission, a day earlier than anticipated EU Approves Sony-Bertelsmann Unit Merger Jul 19, 9:15 PM EST The European Union on Monday approved the merger of Sony Music and Bertelsmann AG's BMG unit in a deal that gives the four "majors" control of about 80 percent of the world music market, Bertelsmann said However, Sony-BMG has pulled ahead this year, with the two companies having a combined market share of 32 percent compared with Universal's 29 percent share "BMG and Sony are now working closely with the U Herrgesell would not provide any further details of the EU approval Bertelsmann said it is now looking forward to concentrating on the integration of the two companies But it concluded after internal review that it did not have "sufficient evidence" of collusion or future harm to consumers Impala, an umbrella group for more than 2,000 independent labels, said the merger would further reduce small companies' ability to give artists sufficient exposure The 50-50 joint venture is still undergoing antitrust review in the United States and approval is expected within days The deal leaves 80 percent of the market in the hands of four groups: Sony-BMG, Vivendi Universal, EMI and Warner Music |
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