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Karen Spence
Profile: www.karenspence.exploretalent.com - View Online Porfolio

Model Info: -- DOB year 1969 -- DOB month 7 -- DOB day 12 -- Height inches 67 -- Weight pounds 130 -- Hair color Blonde -- Eye color Blue -- Ethnicity Caucasian

Talent Resume:
Of Mice and Men - Touist and Soldier - West Covina High School Drama
Mary's Baby Boy - Mary - Ontario First Church of the Nazarene
That Wonderful Night - Elizabeth - Ontario First Church of the Nazarene
A Christian Carol - Writer, Director and Set Designer - Teen Drama, Ontario First Church of the Nazarene
Acting Class - June ChandlerBaseball, Volleyball, Soccor, Horseback Riding, Kenpo Karate, Singing: Country, Rock, Soft Rock, Contemperary Christian.
Expert in Office Work, Waitressing and working with children.

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As Mustafa, the veteran Italian bass Ferruccio Furlanetto stole the show on more than one occasion He kept the merriment bubbling along and maintained the synchronization between performers and orchestra that is so vital in Rossini

Vocal dexterity came as no surprise at all from her Lindoro, tenor Juan Diego Florez, who has become a sensation since making his debut here just two years ago in another Rossini favorite, "Il Barbiere di Siviglia Though his Rossinian technique is far from perfect, his booming voice and generous buffoonery added a crucial ingredient to the evening's fun

The presence of Met artistic director James Levine in the pit promised a revival that would be unusually well-rehearsed, and the results did not disappoint Borodina sounded the slightest bit tentative in her entrance aria, "Cruda sorte," but she soon warmed up, and by the time she rallied Mustafa's Italian servants to her side in the rondo "Pensa alla patria," she had made the role her own But it came as more of a surprise how lively a comedian she proved and how well she managed the vocal gymnastics Rossini requires of his heroine

When these ensembles are performed with clockwork precision, the contrast between the disarray of emotion and the rigorous logic of the music creates a sublime sense of controlled chaos that is unmatched anywhere else in the repertory

Notable contributions in lesser roles came from soprano Lyubov Petrova, as Mustafa's long-suffering wife, Elvira, and from baritones Earle Patriarco and Mariusz Kwiecien as, respectively, Isabella's shipwrecked companion, Taddeo, and Mustafa's henchman, Haly

The rollicking first-act finale of "L'italiana in Algeri" ("The Italian Girl in Algiers") is a particularly delicious example


And its performance by the expert cast at Friday night's revival by the Metropolitan Opera deservedly brought down the house Rollicking Rossini Gem Revived at Met
Feb 15, 2:23 PM EST

In a Rossini comic opera, there comes a moment when the characters stop in their tracks and join together to express varying degrees of bewilderment over the twists and turns of the plot

The star of the occasion was Russian mezzo Olga Borodina, whose previous roles at the Met have been femmes fatales like Dalilah or Carmen, light years away from either Rossini or comedy His tight, slightly nasal production isn't everyone's idea of a beautiful sound, but it's a small price to pay for such virtuosity There was no doubt she would possess the star power and glamour for the role of Isabella, who is shipwrecked in Algeria and forced to fend off the advances of the local ruler, Mustafa, until she can reunite with her true love, Lindoro org


" The young Peruvian has a flawless technique and a ringing top voice that carries easily above high C

The 1973 production by the late Jean-Pierre Ponnelle is naturally looking a bit faded these days, but its single set allows the action to keep flowing and most of the jokes to come through loud and clear



Onstage sparkler fountains at a Great White concert in West Warwick, R Great White claims it had permission to use pyrotechnics inside The Station, but club management denies it "The venue has to know what it's buying


"That's why people go to horror movies, why they go on roller coasters, and why a band like us has been able to be around as long as we have




Bassist Simmons, who accidentally has set his hair ablaze a half-dozen times while breathing fire onstage, said he "would no more ban pyrotechnics at rock concerts than I would on the Fourth of July "

That has emerged as a central question in the Rhode Island fire "

"It's all about full disclosure," Simmons said Kiss Says Pyrotechnics Are Here to Stay
Feb 25, 8:19 AM EST

Pyrotechnics have become as much a part of rock concerts as guitars and drums, and will continue to be used despite last week's deadly Rhode Island nightclub fire, according to a rock band known for its fiery displays Fire officials said the required permits were not obtained, and would have been denied had they been sought

They say the key is having bands and venue owners agree beforehand on exactly what can be used onstage

Paul Stanley and Gene Simmons of Kiss, which has built stage shows around pyrotechnics for 30 years, said the displays are fine for large arenas or outdoor shows, but can be deadly in small clubs

"But you have to be extremely careful with anything that has to do with fire," he added , ignited the small club Thursday night, killing 97 fans and injuring more than 180 others I

"People want a thrill, people love spectacle and people love to be entertained," Stanley, Kiss' lead singer, told The Associated Press


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