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She mused about what to say when having lunch with a prospective producer â€â€? order a drink so you look relaxed, but don't touch it lest he think you're an alcoholic ) But she also had a gift for finding humor in the common anxieties of suburbia and married life Her 1961 comedy, "Mary, Mary," about a divorced couple who ultimately reconcile, became one of the longest-running productions of the decade Comedic Playwright Jean Kerr Dies Jan 7, 10:06 AM EST Jean Kerr, a playwright and author who wrote with self-deprecating humor about show business and suburbia and had a best-seller in "Please Don't Eat the Daisies," has died at age 80 The show included a sketch of "Hamlet" performed as a musical comedy She cheerfully acknowledged doing most of her writing in the family car, parked several blocks away from the chaos of several children and pets The apparent cause was pneumonia, her son said It was not a success, nor was her solo writing effort two years later, a comedy called "Jenny Kissed Me," about a priest who finds his household disrupted by the arrival of his housekeeper's niece She also wrote "The Snake Has All the Lines" (1960), "Penny Candy" (1970) and "How I Got to Be Perfect" (1978) Kerr wrote entertainingly about show business But the couple's 1949 revue "Tough and Go" was praised by critics The book, published in 1957, was turned into a movie with Doris Day three years later and became a situation comedy that ran on NBC form 1965 to 1967 Kerr died Sunday in White Plains It was performed on Broadway more than 1,500 times Her husband died in 1996 at 83 She and her husband made their Broadway writing debut in 1946 with "Song of Bernadette," a dramatization of the novel about a young Frenchwoman canonized after allegedly seeing visions of the Virgin Mary " (That's an antacid Kerr collaborated with her husband, the late drama critic Walter Kerr, on several Broadway plays and wrote others on her own Anticipating negative reviews of her latest work, she wrote: "If I have to commit suicide, I have nothing but Gelusil Butt Kerr is probably best known for "Please Don't Eat the Daisies," an eclectic compilation of her writings about everything from her pet dogs to the oddities of their house in Larchmont Verdi and Puccini â€â€? whom Domingo calls "my composers" â€â€? wrote love duets lasting six or seven minutes at most, the singer noted with a grin " With Domingo and Voigt as possibly the world's best Siegmund and Sieglinde, it was a feast of luminous voices So I enjoy it, and I have steady plans for another three years, and talking further " ("Now you know Perhaps Domingo's one weakness in Wagner is his slightly Latin-tinged German diction "), which Domingo sang as a doomed lover's lament Domingo says he has built his voice "brick by brick," starting as a baritone in his youth and gradually working his way to a high C On Monday night at the Metropolitan Opera, Placido Domingo starred in the season opener of Wagner's five-hour musical marathon, "Die Walkure "I'm sorry, but when it comes to extraordinary voices like Deborah Voigt, you forget about that," said Domingo At any moment, I might not be able to sing anymore " Having sung major Wagner roles including Lohengrin, Parsifal and Tannhauser, Domingo plans to record the fiendish tenor part in "Tristan and Isolde" next year in London On Monday, in the Ottoschenk production of "Die Walkure," a fit, dynamic Domingo appeared in a leather-and-metal costume as the mythical forest character who falls in love with Sieglinde â€â€? neither knowing they are siblings and the mortal children of the god Wotan Placido Domingo Still Taking Risks Mar 30, 5:55 PM EST There were once The Three Tenors At the other end of the decibel scale, the tenor charged "Vereint sind Liebe und Lenz" ("United are love and spring") with a radiant vocal fire " But, he adds with a shrug and a smile, "nothing is guaranteed in this life Met artistic director James Levine, who for years has nurtured Domingo and Voigt in Wagnerian roles The staples of Domingo's four-decade career were great Italian and French roles, with forays into popular songs and lighter music in his native Spanish conducted the Met orchestra for the stellar cast that packed the Met's nearly 4,000 seats Domingo's vocal endurance defies nature â€â€? especially in the powerhouse role of Wagner's Siegmund, the doomed hero longing for love, even amid the incest and adultery of this story rooted in ancient tales of gods and humans James Morris, whose once consistently fine bass has faltered in recent years, was at his peak as a rich-voiced Wotan, and English soprano Jane Eaglen delivered an exhilarating Brunnhilde, Wotan's daughter who sides with her siblings against their father Now, there's only The One â€â€? still singing splendidly In the "Wintersturme" ("Winter storms") duet with Voigt, the ravishing combination of tenor and soprano shimmered with tenderness as Siegmund wonders at the blossoming of his stormy life There are no current plans for the three to peform together again Another of The Three Tenors, 68-year-old Luciano Pavarotti, bid farewell to the Met earlier this month Staying in shape "cost me a lot," says the tenor, who watches his weight while eating at Pampano, the new Mexican restaurant he co-owns on Manhattan's Upper East Side, a short walk from his apartment "I don't have so much time to sing anymore Then came the moment when Siegmund discovers his true identity â€â€? a heart-wrenching monologue to Sieglinde, "Nun weisst Du " Voigt, with her powerful, silvery voice soaring through "Du bist der Lenz" ("You are spring"), joined Domingo for a love scene that takes up most of the hour-plus long Act I But there's an upside: his romantic ardor, coupled with a honey-voiced warmth rarely heard outside the Italian repertoire Weight became a professional problem for Deborah Voigt, the American soprano who sang with Domingo on Monday â€â€? her first stage appearance since her contract for a role at London's Royal Opera House was canceled due to her size Spanish tenor Jose Carreras, at 57 a sporadic performer, completed the trio that popularized opera by singing in packed mega-venues to live television audiences The Italian singer said it was his last appearance in staged opera But this season at the Met, he again thwarts critics who warned that he would ruin his lyric voice by taking on Wagner's heavier, technically challenging music, as well as Verdi's taxing "Otello," which Domingo has turned into the role's signature rendition of our time Wotan kills Siegmund and punishes Brünnhilde by putting her to sleep in a circle of fire And so, you give your best," the 63-year-old Spaniard told The Associated Press in his dressing room during the final rehearsal "I take my risks in a humble way," he said before heading back to the Met stage "The Italian composers go straight to the point, but with Wagner, you have to go about 40 minutes! He takes a lot of time for love " "As the years pass, the passion and the dedication is still there â€â€? but there's more anxiety now because you know that you have less time, you have fewer years to sing "She's so absolutely beautiful |
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